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Unseen Amsterdam returns for its 12th edition, promising a stellar showcase of the global spectrum of contemporary photography.

I was sitting on a chair in the Piazza Bar at the Preview of the Melbourne Art Fair (MAF), sipping a Piper-Heidsieck champagne (one of many MAF partners)...

Tricky's exhibition 'BRB Navigating by Shifting Stars' is on at MARS Gallery, Melbourne, from 28 September to 28 October 2023.

Light can bend and stretch, it can direct attention, alter perceptions, and reveal what is usually condemned to dwell in the shadows.

The first thing I noticed when meeting Abbey in the foyer at Schoolhouse Studios, on a quiet Sunday, was their socks.

From the return of the phenomenally successful Melbourne Now exhibition and a show celebrating the women of Hollywood, to a celebration of the connections between Australia, Asia and the Great Ocean...

It’s been three long years since the last Sydney Contemporary, and the market is more of a puzzle than ever.

In her suite of night paintings, Dani McKenzie creates a world of shadows where the mundane of the everyday is infused with mystery.

Sydney Contemporary, Australasia’s premier art fair, in partnership with MA Financial Group, today announced AMPLIFY – the newly named and highly anticipated Installation Contemporary program.

Tricky Walsh makes the unreal solid. Electrical devices fashioned out of wood, designs based on sound mathematical principles that are imaginary...

Amidst serious concerns for the health of Australia's gallery sector during extended lockdowns, Artist Profile invited Melbourne gallerist Andy Dinan to share her experiences.

Artist Profile is delighted to share Briony Downes's catalogue essay on Micke Lindebergh, celebrating his opening at Melbourne's MARS Gallery. Downes finds, in Lindebergh.

Artist Profile is delighted to share the catalogue essay for Nancy Constandelia's current show, 'half past,' at MARS Gallery. Text by James Gatt.

In her first show at a commercial space in eight years, Belle Bassin imagines the gallery as an expanded picture plane, inviting audiences into deep, contingent relationships with her multi-media forms and forces.

When I first began to delve into the contemporary art world, circa 1980, there were two artists that were nigh impossible to avoid.