At the end of November 2024, the artist Alejandro Galv谩n (Mexico, 1990) commenced a painted chronicle of Mexico from the perspective of one of the largest working-class suburbs.
The Venezuelan playwright Cabrujas once compared the nation to a hotel, a temporary place that doesn鈥檛 belong to its inhabitants and thus doesn鈥檛 require upkeep.
As part of the series of exhibitions that investigates the idea of avant-garde, the exhibition Deep Cuts takes a look at music and sound as forms of culture or counterculture intrinsic to different processes of modernization.
Within the long-term program covering the avant-garde, Marres presents Specters of the Nineties, an exhibition that looks at the last decade of the 20th century