On a recent visit to Paul Sietsema鈥檚 self-titled 2024 exhibition at Matthew Marks in Los Angeles, I was struck by how assiduously he avoids many of the devices commonly used to hold meaning in place when parsing work.
Spread across Matthew Marks鈥檚 two sites, Sturtevant constellates painting, sculpture, drawing, and video work made by the artist between 1965 and 2004, each piece cherry-picked by the gallery.
Fans of movement arts on stage and in film will have their dance cards full this week, with the return of the Dance Camera West Film Festival, tech-soul interfaces at Highways, anti-ageism performance at LACMA...
It鈥檚 been 30 years since Martin Puryear鈥檚 last solo exhibition in Los Angeles鈥攁n exciting place to contextualize Puryear鈥檚 work considering the city鈥檚 history of burgeoning sculptural practices...
Water flows ceaselessly through the arteries of Robert Gober鈥檚 solitary faucet, as if it were a trickling monument to the Sisyphean impossibility of cleanliness. Originally made in response to the AIDS crisis...
Art Basel has named the 156 galleries that will participate in the inaugural edition of its new Paris+, par Art Basel fair that will run October 20 to October 23, with a preview day on October 19, at the Grand Palais 脡ph茅m猫re.
One of the biggest L.A. stories to coincide with the third edition of the Frieze fair here is the sheer number of galleries from outside the city鈥攖he majority of them headquartered in New York鈥攖hat are opening branches around town.
Like a jazz player riffing on the same chord or melody, Whitney鈥檚 paintings delight in the infinite possibilities contained within a simple motif or process.
Matthew Marks is presenting Stanley Whitney: How Black is That Blue, the new exhibition in his galleries at 1062 North Orange Grove and 7818 Santa Monica Boulevard.