ºÚÁϲ»´òìÈ

Two things stick out for me about Nayland Blake’s work. The first is that while there’s a kind of cerebral, conceptual dimension to it, there’s still something emotional, sexual or visceral going on.

Matthew Marks is pleased to announce Julien Nguyen, the next exhibition in his gallery at 526 West 22nd Street. The exhibition includes twenty new paintings.

The artist’s latest exhibition at Matthew Marks in New York fills bespoke rooms with a visual overload of pattern, colour and trompe-l’œil gags.

The works themselves are monumental in their own right, I was primarily struck with the experience of navigating through the show—and the discoveries and rediscoveries that become evident along the way.

From Laura Owens’s collaged canvases, enchanting artist books, and painterly patterned environments to Lisa Yuskavage’s colorful paintings of staged studio scenarios.

Paintings, wallpapered rooms, cabinets of curiosities, handmade books — immersive Owens has it all over immersive van Gogh in her wildly ambitious show.

These are not new subjects for Owens. For decades, she has been making abstractions that are partially painted and partially silkscreened, making it tough to tell what’s done by hand and what’s done by machine. 

Vibrant sculptures by Anne Samat, Bill Viola’s humanistic videos, and emotive pieces by the Studio Museum’s artists in residence are some of our favorite artworks right now.

Periodically, a close-up image of a smiling Ed Sheeran will pop into my head, jolting me into consciousness.

The oeuvre of the late avant-garde filmmaker and visual artist Jordan Belson (1926–2011), like most good art, defies any easy description and interpretation.

From a dazzling display of new works by self-taught talent Jordan Kerwick at Vito Schnabel to Ellsworth Kelly’s doubleheader at Matthew Marks.

The representation merry-go-round gained speed in the lead up to Art Basel in Miami Beach, with Ragna Bley and Alexander Ross also finding new galleries.

Matthew Marks is presenting Jasper Johns: New Works on Paper, now on view at 526 West 22nd Street. The exhibition includes eighteen drawings and seven prints made over the past two years.

Although Willem de Kooning was one of the most eminent Abstract Expressionist painters, unlike his colleagues he is best known today for work that is representational, particularly the series of monumental seated women he painted between 1950 and 1953. This incongruity should...

Matthew Marks opened Willem de Kooning Drawings, the new exhibition in his gallery at 526 West 22nd Street. The exhibition features thirty-two works spanning the artist’s long career. The tension between abstraction and figuration that defined de Kooning’s art is apparent in...