From Lou Lou Sainsbury’s London debut at Gasworks to Ishiuchi Miyako’s photographs of Frida Kahlo’s belongings at Stills Centre of Photography, Edinburgh
A silent video adorning a Hong Kong gallery facade and techno fused with 19th century romanticism; ‘Magical girl’ anime and the ghostly presence of Toni Morrison’s fiction – our editors on what they’re looking forward to this month.
During 2020 many artists’ circumstances have changed, and this is also true for Fergus Hare, during the last year his studio time has been affected in the same way as for many artists.
This year, Los Angeles will see the opening of sophomore editions of three fairs—Frieze Los Angeles, Felix LA, and Spring/Break LA—as well as the return of three more art shows.
The GHost Parlour, Sarah Sparkes’ solo exhibition at New Art Projects London, intimately explores the theme of ghosts and spirits, a subject which has fascinated Sparkes and been the centre of her artistic practice for many years.
For his third major project for NewArtProjects Fergus Hare has made a major departure. Working for the first time in pastel, he has expanded his language and working practice to create an astonishing new body of work.
Exhibitions at the Zabludowicz and New Art Projects reviewed by upcoming curators who are students of Sarah Sparkes’ course How to be an Independent Curator course at Central Saint Martins University of the Arts London.