ºÚÁϲ»´òìÈ

Founded for artists by artists in a former print shop back in 1986, O—Overgaden continues to be one of the few large-scale art institutions in Denmark with an unwavering focus on supporting emerging artists, local and international.

Founded for artists by artists in a former print shop back in 1986, O—Overgaden continues to be one of the few large-scale art institutions in Denmark with an unwavering focus on supporting emerging artists, local and international.

In colorful canvases, Cecilie Norgaard’s conceptual oil paintings humorously tease out the hierarchical highs and lows produced by contemporary society.

Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.

Established as a kunsthalle for artists by artists back in 1986, O—Overgaden continues to be one of the few large-scale art institutions in Denmark with a focus on supporting emerging practices, local and international.

Queering familiar logistics—from transport industries to public toilets or pawnshop business—is core to Villiam Miklos Andersen’s sculptural and relational artistic work.

Panteha Abareshi’s inimitable exhibition focuses on bodies with disabilities. However, we have to bypass a didactic aesthetic to get to the radical material.

In Denmark, the International Women’s Day was about women of the nation cast in bronze and women of the desert of flesh and blood.

The vilified stereotype of the trans woman—clad in a shiny trench coat, blonde wig, nylon stockings, fierce make-up—is unpicked in the young Danish artist Cassie Augusta Jørgensen’s first large-scale exhibition.

The quest to translate questions of mental and environmental health into animation, drawing, and sculpture sits at the core of the young Danish artist Anna Sofie Mathiasen’s exhibition at O—Overgaden.

The young Swedish artist Melanie Kitti’s writing and visual arts practice stems from a place of disruption, fragmentation, and discontinuity.

With playful and diligent material detail, Tora Schultz’s sculptural practice reworks objects that are direct products of our current standardizations and supposedly unambiguous narratives...

From crash test dummies to pitchfork stilettos, Tora Schultz’s show ‘Bitch on Wheels’ at Copenhagen’s O–Overgaden is a tragic comedy exploring gender bias, stereotypes, and the surrealism of everyday life

Thirty-five years after her participation in O—Overgaden’s opening exhibition in 1987, visual artist and weaver Annette Holdensen returns to the kunsthalle with a retrospective exhibition of textile works and sculptural wickerwork.

Artist: Sóley Ragnarsdóttir Exhibition title: Organizing Principles Venue: Overgaden, Copenhagen, Denmark Date: November 6 – December 31, 2021 Photography: Anders Sune Berg / all images copyright and courtesy of the artist and Overgaden, Copenhagen.