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Through objects and installations, Michelle Chang Qin (Chongqing, 1996) depicts labor, its process and products, as offerings to a great absence: amputated speech, forgotten rituals, partial histories that escape a collective memory but leave ineffable weights.
For her solo project at P/////AKT Nora Aurrekoetxea Etxebarria (Bilbao, 1989) is presenting an experimentation with the material and formal properties of airbeds.
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