ARTISTS
2025
Peter Freeman, Inc. will present Roman Ondak鈥檚 inaugural solo exhibition with the gallery, his first in New York since his 2009 performance of Measuring the Universe (2007) at The Museum of Modern Art.
A new exhibition at Peter Freeman Inc. showcases how the artist ignited 鈥榓 revolution that鈥檚 going to change the form of the book鈥�
An exhibition of聽more than thirty collages, concrete poems, and manuscript pages.
Peter Freeman, Inc. is presenting Alex Hay鈥檚 seventh solo exhibition with the gallery and the first ever dedicated to his furniture and objects.
Franz Erhard Walther emerged as an artist amid the socio-political foment of the sixties, a decade when time鈥檚 arrow seemed most errant, most in question.
Peter Freeman, Inc. presents Who cannot wait will stumble, Franz Erhard Walther鈥檚 fourth solo exhibition at the gallery and his first presentation in the United States since his participation in the Performa Biennial 2023 program at the Judd Foundation.
Peter Freeman, Inc. is presenting Catherine Murphy's fourth solo exhibition at the gallery featuring paintings and drawings completed within the last three years.
Limbs, clothes, light reflected off of them, the tables and beds for sleeping and eating.
At Peter Freeman, Inc., esteemed realist Catherine Murphy resurfaces with a new selection of her novel perceptions of the quotidian.
Catherine Murphy, Dorothy Hood, and David Kennedy Cutler are among the artists who are taking us off the path of the everyday and into the inexplicable this week.
The artist found a way to expand the parameters of observational painting, causing us to look inward and reflect upon what we see.
Sometimes art, particularly that of the 1960s and 鈥�70s, practices work-to-rule.
Contributed by Natasha Sweeten / In the early 2000s, among the pines and solace of an artist residency, Polly Apfelbaum shared with me a small, well-thumbed through book.
The first Myron Stout exhibition at Peter Freeman since the gallery announced their representation of the artist鈥檚 estate comprises an extraordinary group of never-before-seen charcoal drawings from the late forties to the early fifties, sourced from Stout鈥檚 own collection.
Stout achieved an ascetic sensuality in his geometric abstractions, a paradoxical synthesis of restraint and hedonism that is unmatched by any of his contemporaries.