黑料不打烊

A fixture of Los Angeles鈥檚 art scene has revealed plans to shutter.

Nearly everyone is aware of the smartphone鈥檚 impact on photographic aesthetics.

The official Made in L.A. show is at the Hammer Museum, but a felicitous counterpoint is currently at Richard Telles in the Fairfax district. Made in L.A., the third in a biannual exhibition at the museum, features artists who are already highly regarded, or else anointed as...

Gazing out of a window or peering into a painting: both imply curiosity, perhaps driven by a sense of longing, for what is beyond.

Eight recent glazed and fired ceramic tiles by Michaela Meise are like ancient accounting tokens merged with modern sculpture.

Tom Allen has toned it down substantially since his first show at Richard Telles in 2002. He鈥檚 still on a quest for a place among the great Romanticists

From the department of 鈥渢he more things change, the more they stay the same鈥� comes Conceptual artist John Knight鈥檚 鈥淲orldebt,鈥� a 1994 work that

John Knight's project 鈥淲orldebt鈥� is a conceptual work that looks at the borrowing strategies of different countries since 1945. For this project he

Based upon the geometric system of one of his recent vacuum-formed wall installations, Jim Isermann鈥檚 new works in acrylic latex on canvas are from

Over the last 25 years, Jim Isermann has shown himself to be a one-man factory and an impressively productive, phenomenally adaptive one at that.

Lecia Dole-Recio RICHARD TELLES FINE ART Lecia Dole-Recio's loosely constructivist works on paper and vellum have long demonstrated her deftness at

AARON CURRY Richard Hawkins (Richard Telles Fine Art, Los Angeles) Looking under, above, through, and into the sculptural plane in a

LECIA DOLE-RECIO Richard Hawkins (Richard Telles Fine Art. Los Angeles) Through a window in Bordello on rue St. Lazare, 2007, one could see a

THE WRITING, as they say, is on the wall. This past summer I received an unexpected e-mail informing me that the days were numbered for Art Center`s

OPENINGS FOR HIS DEBUT SOLO EXHIBITION at Richard Telles Fine Art in Los Angeles this past spring, the LA-based artist Nathan Hylden situated a tidy