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The opening salvo at You what?, Ida Applebroog鈥檚 current show at the Ronald Feldman Gallery, is two versions of Shake from 1980.

From art about environmental recklessness to Caribbean post-coloniality, Armory kicked off the spring art fair season in spite of growing coronavirus concerns.

A survey of Hannah Wilke鈥檚 self-portraits; Tyree Guyton鈥檚 鈥淔aces of God鈥� series; and Tiona Nekkia McClodden鈥檚 tough and tender sculptural objects.

For the seventh time, a Bruce Pearson exhibition fills Ronald Feldman Gallery in Soho with deliberate and emphatic color, convoluted surfaces that verge on sculpture, and cryptic texts which might equally be profound insights or italicized clich茅s.

It鈥檚 been decades since the great powers of the New York City art world decamped for Chelsea, but SoHo remains dotted with galleries of long standing like Ronald Feldman; numerous newer arrivals; small museums like the Drawing Center, the Donald Judd Foundation and the Center...

Progress is incremental, and art fairs are still hellacious places to appreciate art.

Art historian David Getsy writes extensively about the ways in which abstract forms have been utilized by queer and trans artists to express a queer 鈥渟tance,鈥� i.e., a way of being in the world and being in relation to others 鈥渨ithout recourse to the representation of bodies,鈥�...

The practice of Canadian-born, Los Angeles-based artist Cassils expands upon鈥攁nd queers鈥攁 feminist performance-art tradition, molding their transgender masculine physique through rigorous fitness regimens and durational actions.

The Armory Show opened to the public yesterday at Pier 92 & 94 in New York.

These are troubling times.

With art fairs, exhibition openings, and auctions galore, May in New York City is a busy time for the business of art. To help you navigate the week ahead, we have compiled a list of spectacular gallery openings, can鈥檛-miss art fairs, and premiere art auctions.

At first it鈥檚 so abstract you can barely make sense of it: hundreds of squat little beige boxes, punctuated with little black squares.

In 1888, Vincent van Gogh severed his left ear with a razor blade鈥攁n act that would solidify his reputation in art history as a tortured genius.

Syracuse University professor and artist Sam Van Aken grew up on a farm, but he never thought he鈥檇 become the agricultural equivalent of Dr. Frankenstein.

Vitaly Komar, formerly half of the illustrious team Komar & Melamid, which split in 2003, continues to paint in a style he has dubbed 鈥淣ew Symbolism.鈥�