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Kirtika Kain’s work is a radical adventure in Dalit abstraction, where ancient and organic materials become tools of resistance.

After four days of dynamic programming and cultural engagement, the 18th edition of Melbourne Art Fair 2025 has successfully wrapped, reaffirming its status as Australasia’s leading forum for contemporary art and ideas.

As galleries from across Australia, New Zealand, and much further afield were setting up their stalls with the works of over 400 contemporary artists within Sydney’s cavernous Carriageworks—overseen by Lisa Roet’s.

The Roslyn Oxley9 Gallery’s booth of carefully curated works at Sydney Contemporary 2024 is drawn from their archive, which includes key historical moments, over the gallery’s forty-two-year history.

Directors of 1301SW, Ames Yavuz, Gajah, Martin Browne, Roslyn Oxley9, and STATION share their highlights ahead of Australasia's biggest art fair, taking place at Carriageworks from 5 to 8 September.

Dale Frank's opulent paintings, Daniel Crooks' machine-generated drawings, and Natasha Walsh's reimagined portraits are among the works featured in Sydney's must-see gallery shows this winter.

A major publication marks four decades championing influential Australian and international artists.

Directors of seven Australian galleries—1301SW, THIS IS NO FANTASY, Roslyn Oxley9, Tolarno, Martin Browne Contemporary, Ames Yavuz, and Gallery 9...

During my visit to Kirtika Kain’s home and studio in Parramatta, it was apparent that she and her artworks were in a state of co-habitation.

The publication explores the extraordinary archives of the Gallery through the eyes of the world’s leading artists, curators and art world figures.

Australasia’s premier art Fair, Sydney Contemporary, in partnership with MA Financial Group, attracted over 25,000 visitors and recorded over $21million in sales over five days at the Fair...

Jenny Watson is renowned for her style of post-conceptual painting, which combines whimsical images on fabric with panels of text. 

Over the last four decades, John Wolseley’s work in watercolour, drawing, printmaking, and installation has formed a cavernous meditation on the earth as a harmonic living system. 

Australia gains another cultural drawcard this month with the opening of Sydney Modern Project, a stunning SANAA-designed expansion to the Art Gallery of New South Wales (AGNSW).

Since leaving his native Perth in 1996 to pursue postgraduate studies at Yale School of Art, sculptor James Angus has lived in both London and Sydney, then returned to New York in 2006.