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Designed as a positive project for unsettled times, the exhibit coheres as a short list of nascent strategies for coping with darkness writ large before it has been parsed, studied, and conclusively judged.

As the shortened mid-winter day moves into twilight, direct light passes through a series of cut out paper panels laminated over the windows of Studio 10 Gallery, currently host to Mike Ballou’s exhibition The word of Bird is Cured. This is the key moment of Bird Window...

Contributed by Rachel Youens / I recently visited Larry Greenberg at his gallery Studio 10, which he has turned into his own studio space since the pandemic hit, allowing him to focus on his painting practice with renewed commitment.

Contributed by Sharon Butler / Wake up everyone, the holidays are over! Get back to work! Go out and see some shows!

February is a short month, which makes visiting all the shows that much harder, but before the onslaught of NYC art fairs in March (the 6th through 10th), try to visit some galleries, either IRL or online.

Siegel’s sculptures recall the great screen actors whose faces projected profound and precise shifts of feeling.

While Elise Siegel’s sculptures take the form of traditional portrait busts, they are anything but.

For as long as I’ve known Elise Siegel, she has been making three-dimensional work about the psyche.

Emptiness, nothingness, nullity, void. That the human mind can conceive of a nothing as a something is an extraordinary feat of intellectual abstraction. But to anyone who’s suffered the loss of a loved one the concept is neither extraordinary nor abstract: the absence that...

Robert Marshall’s dreamlike images are fleeting, fragmentary glimpses out the window of a moving car or train. Some of the most hauntingly beautifu

Contributed by Luisa Caldwell and Matt Freedman / Back in December, the uncanny pushed its way into the room of exquisite landscape paintings by David Brody and Elliot Green.

In Suzanne Joelson‘s confrontational new paintings the conflicting forces of order and disruption animate a lively hash of vinyl photographic banners, paint, patterning, hollow-core wood panels, broken bits of debris, fabrics, geometric sequencing, and idiosyncratic markmaking.

Adam Simon could best be described as a conceptual painter. Based in Brooklyn, he has been painting and organizing community projects like Four Walls and the Fine Art Adoption Network for more than 25 years.

It is wood, you are certain, yet it's not. Or an egg, for sure, but it isn't. Or a pizza or cookie. Or a table, a panel. Or a wad of gum, a piece of tape, a sheet of paper. In terms of representations of subjects and forms

10 Opening Exhibitions to Watch