In 鈥楥utting Through the Past鈥, a retrospective of Rebecca Horn (1944鈥2024) at Castello di Rivoli, near Turin, things are constantly being spiked and sliced and snipped and ripped open.
Marking 55 years of Art Basel, the fair concludes on a high note with strong sales across all segments, cementing its position as the premier event of the global art market.
The majority of the art in Mutual Aid: Art in Collaboration with Nature is still based on human manipulations of or interventions into natural processes.
A museum鈥檚 primary purpose is, above all, to build a collection. Carolyn Christov-Bakargiev 鈥 director of Castello di Rivoli until the end of 2023 鈥 has consistently emphasized this in her interviews.
In Turin, in conjunction with Artissima, the fair that makes the city the center of the international art scene for a week, contemporary art events and exhibitions develop in a capillary way.
Two days of activities for the public with the presence of artists Mohammad Al Faraj, Moza Almatrooshi, Matilde Cerruti Quara, Ufuoma Essi, Lamin Fofana, Invernomuto, and Lea Porsager.
One might, admittedly, be tempted to dismiss Michelangelo Pistoletto as an eccentric or as a precursor of the new age industrial complex that took shape in the 1970s.
鈥淭itle One, I dreamt, Clara and other stories鈥 is the first museum survey of Rossella Biscotti (Molfetta, 1978), an Italian artist based in the Netherlands and Belgium.
To mark the donation to the Castello di Rivoli Museo d鈥橝rte Contemporanea of the large installation I numeri malefici (The Evil Numbers), 1978, created by Fabio Mauri...