ARTISTS
2025
Soshiro Matsubara鈥檚 exhibition 鈥淪leeves of Desire鈥� explores the nuances between different forms of desire and their relation to the Other as an entity outside the personal realm, separated through time and space.
Soshiro Matsubara鈥檚 exhibition 鈥楽leeves of Desire鈥� explores the nuances between different forms of desire and their relation to the 鈥極ther鈥� as an entity outside the personal realm, separated through time and space.
Through the spatial installation of narrative scenes she breaks the social level down to an individual dimension in order to examine the past and present of post-migrant identity in Germany.
2024
Since the Middle Ages, that idea of a Land of Milk and Honey has been circulating in various cultures鈥攁 land without any need for labour, where a better and more prosperous life is possible.
Brice Dellsperger鈥檚 video works are informed by his love of cinema, which he uses as material to manipulate, reinterpret, recreate and subvert.
The exhibition 鈥楿nselfing鈥� lends its title from a term coined in the early 1970ies by the Irish writer and philosopher Iris Murdoch (1919鈥�1999) to describe a practice of conscious self-dissolution: the attempt to bring about a relationality going beyond the boundaries of the...
2023
In her painterly, sculptural and performance works, Nadja Abt explores the narrative potential of text鈥搃mage combinations, as they appear in diaries, storyboards, moving images with subtitles or typography in public space.
In his exhibition 鈥淏ut Who is Ulrike Mandrake?鈥� Nils Alix-Tabeling links issues of social justice to questions of human, animal and environmental coexistence on our planet.
Control over another person鈥檚 body can be a tool of pleasure or a means of violence.
2022
From Cyprien Galliard鈥檚 triumphant homecoming in Paris to Bruno Zhu鈥檚 Barcelona debut, these are the best exhibitions of the year
The exhibition 鈥淲et Resistance鈥� creates a fictive world of moisture repelling technology and artificial intelligence (AI) in which wet resistance emerges in defence of natural, humid, human qualities.
鈥淏lade Memory鈥� is an exhibition in two chapters curated by the three Israeli artists Naama Arad, I. S. Kalter and Eran Nave.
From Max Pinckers's 鈥楽peculative Documentary鈥� to James Gregory Atkinson's love song to the German outposts of the Black Atlantic this is what to see within the Schengen.
The contemplation of time can be thought of as a dance that fast-forwards and rewinds physical memory, thus enabling a turnaround and a return...
At Dortmunder Kunstverein the artist critically reflects on the institutionalisation of racism in Germany.