This small but insightful show puts the spotlight on a microcosm within Berlin鈥檚 art world at the turn of the 19th century by presenting the art collectors Felicie and Carl Bernstein and their contribution to establishing French impressionism in Germany.
This exhibition explores uncharted territory not only by tracing Max Liebermann鈥檚 visits to Italy but also by revealing how much interest Italians showed in the works of this German impressionist.
The story of German 鈥渄egenerate art鈥 and the British defence of it is to be told in a display opening to the public on Wednesday at the Wiener library in London, the world鈥檚 oldest archive of material on the Holocaust and the Nazi era.