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The artist’s work from 1992 until the present day goes on show at Athens’ Museum of Cycladic Art (until 2 November).

The Museum of Cycladic Art is presenting Marlene Dumas: Cycladic Blues, the first solo museum exhibition in Greece by renowned artist Marlene Dumas, one of the most distinctive voices in contemporary art.

A painting by South African artist Marlene Dumas has sold for $13.6 million at auction, setting a new record for a living female artist.

From shows of major international artists like Anselm Kiefer and Cindy Sherman to the debut in Greece of talented visionary painter Yu Nishimura, there's a lot to see in the Greek capital.

In between those long lunches and lazy days in the sun, you need a culture fix when you’re on holiday — from Condo in Hydra to Chillida in Menorca, these are the shows to steer for

US artists including Dana Schutz, Tschabala Self and George Condo have opened shows in the Mediterranean cultural hub—as their home country remains fractured and hostile to culture

The American artist's earliest and most iconic photographic self-portraits are displayed with 3,000 Cycladic, ancient Greek and Cypriot artefacts.

Cycladic figurines have a mythical aura. Their gleaming abstract forms speak of timeless beauty

The Greek state is now the sole owner of the artefacts but all 161 pieces will be on a 25-year loan to the Met from January 2024

KALLOS, The Ultimate Beauty is the latest exhibition running at the Museum of Cycladic Art in Athens.

On the occasion of the bicentennial of the Greek Revolution of 1821, the Museum of Cycladic Art presents the exhibition Antiquarianism and Philhellenism: The Thanassis and Marina Martinos Collection in the Stathatos Mansion. Rare and original in its concept, the exhibition...

Over a seventy-year career in Athens, Paris, London and New York, Takis created some of the most powerful and innovative artworks of the twentieth century.

The Ghent Altarpiece was never supposed to leave St. Bavo’s Cathedral again. Not after the 15th-century masterpiece was nearly destroyed by rioting Calvinists in 1566.

As exhibitions around the world close, or cancel the next stops on their tours, logistical and emotional carnage follow.

I’ve never seen Lynda Benglis’s work look more relevant than scattered around an opulent Neo-Classical mansion in the shadow of the Acropolis.