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From September 11—15, 2024, Berlin Art Week is back with an exceptional festival week filled with an array of contemporary art exhibitions and events across the city.

Jelena Fužinato’s mobile structure Builder’s Daughter: Everything is Peachy stands at the entrance to Gastarbeiter 2.0: Arbeit means Rad, an ambitious new exhibition hosted by the Neue Gesellschaft für bildende Kunst (nGbK).

The galleries are open. The usual suspects are milling about outside them on the pavements and in the hofs.

Betye Saar will be awarded the twenty-sixth Wolfgang Hahn Prize from the Gesellschaft für Moderne Kunst. For more than fifty years, Betye Saar has created assemblages from a wide variety of found objects, which she combines with drawing, prints, painting, and photography.

Licht Luft Scheiße [Light Air Shit]. Perspectives on Ecology and Modernity proposes a diverse series of twentieth-century concepts and practices that resonate with our current ideas of sustainability.

A handful of mournful, lumbering electronic tracks sway, glitch and skitter on pitch-shifting chants: vocal harmonies of indiscernible origin that are