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'In the Arms of Unconsciousness: Women, Feminism and the Surreal' is a compelling exhibition by twenty-two contemporary Australian women artists whose creative approaches reflect elements of feminism and the surreal.

Andre Breton’s Surrealists styled themselves as professional troublemakers, sworn enemies of social and cultural convention, but in their attitudes towards women, the men were remarkably old-fashioned.

From the return of the phenomenally successful Melbourne Now exhibition and a show celebrating the women of Hollywood, to a celebration of the connections between Australia, Asia and the Great Ocean...

After being closed to the public for over a year and a half due to COVID-19, the City of San Antonio’s Department of Arts & Culture is opening the doors to an integral space for the arts community.

The Centro de Artes Gallery, managed by San Antonio’s Department of Arts and Culture, will reopen on Wednesday, January 26, 2022. Due to the COVID-19 pandemic, the gallery has been closed since March 2020.

For Part One in this series, please go here. Part Two is here, Part Three is here, Part Four is here, Part Five is here, and Part Six is here.

The Laredo Center for the Arts (LCA) has recently expanded its programming: alongside some recent acquisitions of work by Laredo artists, LCA has launched an artist-in-residence program.

The Know My Name initiative at the National Gallery of Australia (NGA) wants to reframe the story of Australian art by adding to this history the voices of brilliant and creative women

Two years ago the New York Foundation for the Arts (NYFA) announced the expansion of its Immigrant Artist Mentoring Program to Detroit, MI; Newark, Nj; Oakland, CA, and San Antonio, which Glasstire covered here in 2017.

Texas’ earliest extant photographic image, unsurprisingly, was made in San Antonio.

Back again, this year's Moran Prizes have announced the best of Australian portraiture and photography finalists, who continue to capture the publics imagination.

Lurid Beauty: Australian Surrealism and its Echoes, National Gallery of Victoria, Federation Square. Until January 31, 2016.

If you quite enjoy open-endedness, then Simon Mee, Rob McHaffie and Anne Wallace provide countless opportunities for speculation.

Stepping into the gaping jaws of a jaguar, you walk downstairs into a magical grotto with dripping stalactites and a splashing waterfall. This $3