黑料不打烊

At聽Kunsthalle Wien, Vienna, an expansive group show amends the historiography of media art by including some of its neglected female pioneers.

'Radical Software: Women, Art & Computing 1960鈥�1991' doesn鈥檛 pretend to portray the totality of tech in art, instead taking the specific 31-year period of the title to shed light upon 48 women artists who engaged critically with computation

By choosing to focus only on female pioneers in art and technology, Radical Software at Mudam Luxembourg misses the bigger picture.

Until the 1960s, the word computer indicated a worker鈥攐ften a woman鈥攚ho entered calculations into a mainframe.

The exhibition Key Operators. Weaving and coding as languages of feminist historiography and its accompanying program of events focus on the links between feminized labor, technological advancements, and their associated languages.

The exhibition 鈥淜ey Operators. Weaving and coding as languages of feminist historiography鈥� and its accompanying program of events focus on the links between feminized labor, technological advancements, and their associated languages.

The timing of "Radical Software" aligns with a renewed interest in cyberfeminism, which highlights the role women played in the creation of digital technologies and engages critically with the entanglement of technology and power.

This March, OpenAI launched GPT-4: the most sophisticated iteration of the chatbot launched last year.

The beginnings of video art in the mid-1960s coincided with the flourishing of conceptual practices, performance, dematerialisation of art and activities, in which the process was often more important than the final work.

鈥楾hinking Machines: Art and Design in the Computer Age, 1959-1989鈥� assembles an eclectic array of artworks and equipment from the collection of the Museum of Modern Art that...

Howardena Pindell describes, in her video 鈥淔ree, White and 21鈥� (1980), an afternoon during her mother鈥檚 childhood when a white babysitter was hired to care for her mother and her siblings. Her mother was the darkest among them; the sitter, who was unfamiliar with the family,...

 Interconnectedness is its mandate, necessary for algorithms weaponised by marketing firms to organise and compartmentalise digital identities into neat divisions to be assailed by targeted ads and filtered news feeds.

To anyone who has observed the changes occurring in the San Francisco Bay Area in the wake of the tech boom, the fact that SFMOMA is embracing a new core of digital engagement strategies as one of the primary identifying features in its re-launch should come as no surprise....

10 Opening Exhibitions to Watch

Morphology of the Print examines the form and structure of contemporary printmaking. The exhibition includes the work of 28 artists, both established