黑料不打烊

Past and present, history and amusement, reality and spectacle are conflated and distorted in聽Federico Solmi鈥檚 monumental media work, The Great Farce (2017).

Federico Solmi鈥檚 works are rich in social and political satire.

In a series of framed screens, Douche Bag City (2010), where greedy villains are imprisoned for their atrocities, justice is ultimately apportioned.

Soshiro Matsubara 鈥淎 Tale of Romance II,鈥� 2021 presented by Union Pacific, London reinterprets the love story of Oscar Kokoshka and Alma Mahler where the artist is laying down on a rug gazing at the sphinx-like face of his beloved.

Los Angeles is coming back to life. That鈥檚 a sentiment that somehow simultaneously feels clich茅 and unexpected all at once. But just look around: concerts are being promoted, theaters are rescheduling shows, and bar hoppers are, once again, singing far too loud at far too...

鈥淚 think it鈥檚 a great privilege for an artist to be able to express himself with a video installation, with a painting, with VR, with anything, why not?鈥�

The Phillips Collection has announced major new acquisitions including a video by John Akomfrah, a two-panel fabric work by Benny Andrews, a large-scale wall-hanging by Aim茅 Mpane, and others.

E-Motion酶 Support Group, an online group show curated by Lauren Powell, showcases animations by 39 artists 鈥渢o help you feel better.鈥�

Shane Campbell Gallery in Chicago has closed its doors.

The exhibition centers on the immigrant experience.

Jamie Martinez: Congratulations on your recent shows, especially the solo booth with Ronald Feldman at the last Armory.

In Federico Solmi鈥檚 鈥渧ideo paintings,鈥� the artist鈥檚 electrifying style comes to life, as he scans his paintings into a game engine.

In the art world, at the center of every six degrees of separation story is an international shipper.

Progress is incremental, and art fairs are still hellacious places to appreciate art.

At 10 PM the glowing exterior lights of the Nelson-Atkins Museum contemporary wing shut off, creating a perfect outdoor cinema for Jennifer Steinkamp鈥檚 video installation Retinal (2018).