"The effect that scares me most is not that we'll be fooled by fake photos but that we'll ignore the real ones" 鈥 how photographers are dealing with shifting perceptions of reality.
鈥淧ost truth鈥 was word of the year in 2016. Now, with deepfakes and generative tools making headlines daily, over 75% of consumers have become concerned about misinformation from AI (Forbes, 2023).
In the February 2024 Art Diary, the Revd Jonathan Evens looks at the Pre-Raphaelites, the works of Alison Lapper, Monia Sj枚枚 and various group exhibitions, including shows at Cross Lane Projects, Drawing Room and The William Morris Gallery.
A fibreglass 'merma' by Tony Oursler, a levitating woman by Sarah Charlesworth, and creations by professional magicians are gathered in the exhibition Smoke and Mirrors...