黑料不打烊

The 鈥渁fter hours鈥� as a metaphor is explored in nightshifts at Buxton Contemporary, Melbourne, with the exhibition focusing on the wholistic concept of retreat 鈥� an invitation to temporary seclusion, rest, and quietness from others.

The University of Melbourne has unveiled 'nightshifts', a contemplative new group exhibition considering the importance of solitude through contemporary arts practice.

Lockdowns left us craving companionship, but at Buxton Contemporary, some of our best-known artists embrace the power of solitude.

There can be few exhibitions in Australia that have shocked viewers as thoroughly as Peter Booth鈥檚 show at Melbourne鈥檚 Pinacotheca Gallery in late 1977.

The "dark edge" of Peter Booth鈥檚 apocalyptic paintings echoes the dark edge of the artist鈥檚 life and, indeed, of the world we live in.

At 82, the legendary artist still rises at 4am to work on his huge, potent paintings. He can鈥檛 do anything else.

Louise Hearman鈥檚 Melbourne studio is no hushed cathedral to art.

Prize exhibitions always represent something of a slippery slope, especially when the prize is specific to contemporary photography.