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The National Gallery of Victoria’s new show, French Impressionism, celebrates the likes of Monet, Renoir, Degas, Morisot and Pissarro, who painted in the face of public outrage.

In her debut monograph, Land into Landscape: Art, Environment, and the Making of Modern France, Kelly Presutti examines how landscape was integral to the development of French identity in the nineteenth century.

The Musée d’Orsay is partnering with 12 museums around France in a project that uses impressionist art to highlight climate change – works that collectively tell the story of human enterprise at the end of the 19th century.

Have you ever heard of, or even been to Lens before? This small coal town in northern France was active from 1849 to 1986, when its last mine was shut down.

The Ashley Gibson Barnett Museum of Art at Florida Southern College is presenting "Dutch Impressionism: The Hague School, 1860-1930," on view now through February 23, 2025, in the Museum's Dorothy Jenkins Gallery and Harper Family Gallery.

Picture Ecology: Art and Ecocriticism in Planetary Perspective is a collection of essays that came out of a symposium held at Princeton University dedicated to the Princeton University Art Museum’s exhibition.

The Santa Barbara Museum of Art opened the exhibition, A Legacy of Giving: The Lady Leslie and Lord Paul Ridley-Tree Collection, on view July 7 – November 3, 2024.

During the 19th century, the most promising artists trained at the Royal Academy of Painting and Sculpture in Paris.

‘All art is but dirtying the paper delicately,’ wrote John Ruskin in The Elements of Drawing (1857).

During the 19th century, the most promising artists trained at the Royal Academy of Painting and Sculpture in Paris.

In honor of the exhibition Théodore Rousseau: The Voice of the Forest at the Petit Palais, Jill Newhouse Gallery has on view several works by the artist in varying media, including oil, ink and even a rare pastel.

‘All art is but dirtying the paper delicately,’ wrote John Ruskin in The Elements of Drawing (1857).

In the 1830s, the tiny French village of Barbizon became the centre of a quiet revolution in landscape painting that would have a defining influence on the Impressionists and their successors.

The exhibition design of ‘La Forêt Magique’ at the Palais des Beaux-Arts invokes more than the visual aspects of a forest. Darkened walls and softly carpeted floors are animated by chirping crickets and bird songs...

During the 19th century, the most promising artists trained at the Royal Academy of Painting and Sculpture in Paris.