黑料不打烊

An exhibition on marginalised labour reveals how the power to represent oneself matters more than simply being seen.

Hard Graft, an unsparing new exhibition at the Wellcome Collection, showcases artworks that respond to employee exploitation, from the ruined hands of a washerwoman to the lung-damaged workers of Death Alley.

From women鈥檚 lib to the Greenham Common camps, this powerful show covers to two decades in which women rose up in protest 鈥� and their concerns are as relevant today as they were 50 years ago

This text was co-commissioned by Katia Krupennikova and Inga L膩ce as part of four special contributions to e-flux journal鈥攖wo texts published in the present November 2020 issue, and two more in the upcoming February 2021 issue.

In 鈥淲ages for Housework,鈥� Paulina O艂owska takes up the ongoing task of writing women back into art history.

The 10th anniversary, post-lockdown edition of Warsaw Gallery Weekend has come and gone. Despite operating under a new organizational committee, the gallery programming remained stable.

In 2016, the multidisciplinary artist Devin Kenny鈥檚 work was screened in a video program at the Museum of Contemporary Art, Los Angeles, and Hito Steyerl, one of the show鈥檚 more established artists, forfeited her fee so that others could have higher compensation.