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Four pichhwai paintings by Indian School, 20th Century, 20th century

Four pichhwai paintings ,20th century

pigment on cotton
88 x 147cm (4)
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Result:
A photograph of Bhupinder Singh, the Maharajah of Patiala seated at breakfast in a courtyard with the Maharajah of Jind, the Raja of Mandi, and other visitors and retainers by Indian School, 20th Century, early 20th Century

A photograph of Bhupinder Singh, the Maharajah of Patiala seated at breakfast in a courtyard with the Maharajah of Jind, the Raja of Mandi, and other visitors and retainers ,early 20th Century

albumen print
225 x 270 mm
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Result:
Six Works: Historical by Indian School, 20th Century, Circa 1900-1930

Six Works: Historical ,Circa 1900-1930

Paper print, partly colored
29x22cm
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A JAIN PAINTED CLOTH HANGING by Indian School, 20th Century

A JAIN PAINTED CLOTH HANGING

pigment on cotton
105 x 52cm
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Result:
A large photographic portrait of Maharaja Sir Shrimant Tukojirao Puar III, Maharajah of Dewas Senior, Central India (reg. 1899-1937) by Indian School, 20th Century

A large photographic portrait of Maharaja Sir Shrimant Tukojirao Puar III, Maharajah of Dewas Senior, Central India (reg. 1899-1937)

gelatin silver print
48.5 x 35.5 cm.
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A portrait of the Nizam of Hyderabad by Indian School, 20th Century

A portrait of the Nizam of Hyderabad

hand-coloured print
58x43.5 cm
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A portrait of Maharaja Holkar of Indore by Indian School, 20th Century

A portrait of Maharaja Holkar of Indore

hand-coloured photograph
50x39 cm
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Result:
A souvenir photograph album associated with the Royal Tour of the Prince of Wales by Indian School, 20th Century, 1922

A souvenir photograph album associated with the Royal Tour of the Prince of Wales ,1922

mounted sepia photographs
13 x 72 cm 20 x 15 cm 27 x 37 cm
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More Lots by Indian School, 20th Century in This Sale

Krishna and Radha celebrating Holi, Pahari, second half 20th century, Opaque pigment's heightened with gold on paper, the cowherds and the gopis facing each other throwing colour pigments and dyed water, Krishma and Radha in the centre, under a red canopy 35

Krishna and Radha celebrating Holi, Pahari, second half 20th century, Opaque pigment's heightened with gold on paper, the cowherds and the gopis facing each other throwing colour pigments and dyed water, Krishma and Radha in the centre, under a red canopy 35

An amourous embrace Rajasthan, North India, late 19th century/early 20th century Possibly Kotah, under a lobed arch, on a latticed floral rug, on green ground, within black rules and red borders, an inscription above, mounted, framed and glazed Painting 14 x 10

An amourous embrace Rajasthan, North India, late 19th century/early 20th century Possibly Kotah, under a lobed arch, on a latticed floral rug, on green ground, within black rules and red borders, an inscription above, mounted, framed and glazed Painting 14 x 10

An illustration to a Rasikapriya series : Radha being led inside a palace while Krishna overlooks from a window Guler or Kangra, Pahari school, North India, first quarter 20th century Opaque pigments heightened with gold on paper, an attendant holding her, another holding a torch to light the way, Krishna overlooks the scene form a neighbouring window, within floral margins and single white rule, wide red borders, the reverse plain, mounted, framed and glazed 19

An illustration to a Rasikapriya series : Radha being led inside a palace while Krishna overlooks from a window Guler or Kangra, Pahari school, North India, first quarter 20th century Opaque pigments heightened with gold on paper, an attendant holding her, another holding a torch to light the way, Krishna overlooks the scene form a neighbouring window, within floral margins and single white rule, wide red borders, the reverse plain, mounted, framed and glazed 19

A Sikh gold inlaid tulwar hilt, Punjab, India, 20th century Of typical form, the flat pommel, the cross and quillons inscribed in Gurumkhi, the quillon and cross with the Sikh khanda, the knuckle guard with floral decoration, its inside with inscription in Persian, its finial worked as a lotus bud, the grip with Sikh symbols of the Guru Granth Sahib, an eagle and royal parasol, the names of the ten gurus at the base and invocations under the inscription 'ik konar', the pommel with domed knop, mo

A Sikh gold inlaid tulwar hilt, Punjab, India, 20th century Of typical form, the flat pommel, the cross and quillons inscribed in Gurumkhi, the quillon and cross with the Sikh khanda, the knuckle guard with floral decoration, its inside with inscription in Persian, its finial worked as a lotus bud, the grip with Sikh symbols of the Guru Granth Sahib, an eagle and royal parasol, the names of the ten gurus at the base and invocations under the inscription 'ik konar', the pommel with domed knop, mo

A large framed copper repousse village scene, Madras, India, 20th century 97 x 67cm

A large framed copper repousse village scene, Madras, India, 20th century 97 x 67cm

How can that destructive stone rejoice?/His locks are day-glowing Virgo/Why did the stone shatter his gem?/His heart makes ruby-red the sun/His sweetness gave not hearty laughter/Both worlds are tied to his saddle-strap

How can that destructive stone rejoice?/His locks are day-glowing Virgo/Why did the stone shatter his gem?/His heart makes ruby-red the sun/His sweetness gave not hearty laughter/Both worlds are tied to his saddle-strap

An illustration to a Rasikapriya series : Radha looks at Krishna from a window Guler or Kangra, Pahari school, North India, first quarter 20th century Opaque pigments heightened with gold on paper, slightly leaning, her head covered with a green veil, clad in yellow, Krishna raising his head over his right shoulder, within floral margins and single white rule, wide red borders, the reverse plain, mounted, framed and glazed 20

An illustration to a Rasikapriya series : Radha looks at Krishna from a window Guler or Kangra, Pahari school, North India, first quarter 20th century Opaque pigments heightened with gold on paper, slightly leaning, her head covered with a green veil, clad in yellow, Krishna raising his head over his right shoulder, within floral margins and single white rule, wide red borders, the reverse plain, mounted, framed and glazed 20

Three illustrated folios from a Kashmiri manuscript, North India, circa 1900 Ink and opaque pigments on paper heightened with gold, depicting three scenes of men in conversation on the terrace of a palace, with lines of Persian text in black nasta'liq arranged diagonally and in columns, and the same to reverse, mounted, folio 35

Three illustrated folios from a Kashmiri manuscript, North India, circa 1900 Ink and opaque pigments on paper heightened with gold, depicting three scenes of men in conversation on the terrace of a palace, with lines of Persian text in black nasta'liq arranged diagonally and in columns, and the same to reverse, mounted, folio 35

Baby Krishna enthroned, Tanjore, Southern India, first half 20th century Opaque pigments, golden pigments and limestone past on cloth and board, the bejewelled infant god on a dais flanked by attendants holding a fly whisk and a parakeet, under a cusped arch, set within an heavy wooden frame 112 x 82

Baby Krishna enthroned, Tanjore, Southern India, first half 20th century Opaque pigments, golden pigments and limestone past on cloth and board, the bejewelled infant god on a dais flanked by attendants holding a fly whisk and a parakeet, under a cusped arch, set within an heavy wooden frame 112 x 82

Two copper alloy figures of Krishna fluting, Assam, the first 20th century, the second late 19th/early 20th century The first , a reproduction of a figure kept at the British Museum, standing in tribangha on a lotiform plinth, the right leg crossed over the left leg, his hands raised, with slightly leaning head, with bulging almond eyes, his hair tied in a knop ; the second , of earlier and finer facture, on plain base, similarly cast, on wooden stand the first, 24

Two copper alloy figures of Krishna fluting, Assam, the first 20th century, the second late 19th/early 20th century The first , a reproduction of a figure kept at the British Museum, standing in tribangha on a lotiform plinth, the right leg crossed over the left leg, his hands raised, with slightly leaning head, with bulging almond eyes, his hair tied in a knop ; the second , of earlier and finer facture, on plain base, similarly cast, on wooden stand the first, 24

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Indian School, 20th Century Photography Performance

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