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A standing portrait of a European man Rajasthan, possibly Mewar, first half 19th century Opaque pigments heightened with gold on paper, shown in a blooming bush, wearing an orange tunic, holding a cup in his right hand and a bottle in the other, within thin yellow margins, and thin black rules, mounted, framed and glazed 18 by Indian School, 19th Century, 19th century

A standing portrait of a European man Rajasthan, possibly Mewar, first half 19th century Opaque pigments heightened with gold on paper, shown in a blooming bush, wearing an orange tunic, holding a cup in his right hand and a bottle in the other, within thin yellow margins, and thin black rules, mounted, framed and glazed 18 ,19th century

heightened with gold on paper
18.5 x 13.5cm. 35.5 x 28cm. framed
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Result:
A lord consults with lord Krishna, Rajasthan, north India, 19th century, Opaque pigments heightened with gold on paper, the crowned blue skinned deity reclining on bolsters, the lord clad in yellow and bearing arms in supplication, on a floral carpet, in thin black margins, four lined of black and red devanagari script above and below within thin yellow margins and triple red rules, the reverse with 21ll by Indian School, 19th Century, 19th century

A lord consults with lord Krishna, Rajasthan, north India, 19th century, Opaque pigments heightened with gold on paper, the crowned blue skinned deity reclining on bolsters, the lord clad in yellow and bearing arms in supplication, on a floral carpet, in thin black margins, four lined of black and red devanagari script above and below within thin yellow margins and triple red rules, the reverse with 21ll ,19th century

heightened with gold on paper
20 x 11.5cm.
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Result:
A portrait of Emperor Alamgir enthroned, India, Deccan, first half 19th century Opaque pigments heightened with gold on paper, under an umbrella, facing left, dressed in white, bejeweled, holding a gold ornament in his right hand, on green ground, identification inscription in thin nasta'liq script, ' Alamgir Padshah ', laid on card within thin margins with scrolling tendrils, wide borders with larger scrolling tendrils bearing floral buds, the reverse plain with modern pencil inscriptions Paint by Indian School, 19th Century, 19th century

A portrait of Emperor Alamgir enthroned, India, Deccan, first half 19th century Opaque pigments heightened with gold on paper, under an umbrella, facing left, dressed in white, bejeweled, holding a gold ornament in his right hand, on green ground, identification inscription in thin nasta'liq script, ' Alamgir Padshah ', laid on card within thin margins with scrolling tendrils, wide borders with larger scrolling tendrils bearing floral buds, the reverse plain with modern pencil inscriptions Paint ,19th century

heightened with gold on paper
Painting 17.5 x 10.5cm. 31 x 20.4cm.
Estimate:
Result:
TWO PORTRAITS: AN ELDERLY INDIAN RULER AND A COURTLY LADY ON PALATIAL TERRACES by Indian School, 19th Century, late 19th century

TWO PORTRAITS: AN ELDERLY INDIAN RULER AND A COURTLY LADY ON PALATIAL TERRACES ,late 19th century

heightened with gold on paper
13.8cm x 13.7cm
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Result:
TWO SCENES: RADHA AND KRISHNA, AND KRISHNA WITH THE SAKHI by Indian School, 19th Century, late 19th century

TWO SCENES: RADHA AND KRISHNA, AND KRISHNA WITH THE SAKHI ,late 19th century

heightened with gold on paper
21.8cm x 15cm
Estimate:
Result:
An illustrated album folio : a forlorn lady Provincial Mughal, North India, mid-19th century Opaque pigments heightened with gold on paper, possibly an illustration to a ragamala series, facing left, she reclining on a bolster, her elbow resting on another, her veiled attendant standing behind, laid on card within thin polychrome margins, wide pink borders with large gold floral blooms on swaying tendrils, the reverse plain with old circular collection label in black ink cursive script, No (?) 2 by Indian School, 19th Century, mid-19th century

An illustrated album folio : a forlorn lady Provincial Mughal, North India, mid-19th century Opaque pigments heightened with gold on paper, possibly an illustration to a ragamala series, facing left, she reclining on a bolster, her elbow resting on another, her veiled attendant standing behind, laid on card within thin polychrome margins, wide pink borders with large gold floral blooms on swaying tendrils, the reverse plain with old circular collection label in black ink cursive script, No (?) 2 ,mid-19th century

heightened with gold on paper
Painting 15.4 x 8cm. 31 x 29.2cm.
Estimate:
Result:
ABD AL-QADIR JILANI AND KHAWAJA MU'IN AL-DIN CHISHTI IN CONVERSATION, INDIA SCHOOL, 19TH CENTURY by Indian School, 19th Century, 19TH CENTURY

ABD AL-QADIR JILANI AND KHAWAJA MU'IN AL-DIN CHISHTI IN CONVERSATION, INDIA SCHOOL, 19TH CENTURY ,19TH CENTURY

heightened with gold on paper
11 by 18 cm 7.5 by 19.5 cm
Estimate:
Result:
THE HINDU GOD OF CREATION BRAHMA by Indian School, 19th Century, mid-19th century

THE HINDU GOD OF CREATION BRAHMA ,mid-19th century

heightened with gold on paper
12.3cm x 16cm.
Estimate:
Result:
A FEMALE HERMIT LISTENING TO MUSIC by Indian School, 19th Century, 19th century

A FEMALE HERMIT LISTENING TO MUSIC ,19th century

heightened with gold on paper
26.4cm x 20cm
Estimate:
Result:
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More Lots by Indian School, 19th Century in This Sale

A bust portrait of Ranjit Singh, India, late 19th/early 20th century, opaque and transparent pigments on ivory, 7cm

A bust portrait of Ranjit Singh, India, late 19th/early 20th century, opaque and transparent pigments on ivory, 7cm

A standing portrait of a courtier Mughal India, 19th century , opaque pigments heightened with gold on paper, facing right, on a terrace, dressed in light pink and white, wearing a white turban ornate with a plume, his right hand resting on a khanda, within borders with scrolling gold palmettes, in gold, gold speckled aubergine and black rules, laid on card, inscription in blue ink to the reverse together with two detached album folios, the wide borders with birds within large polychrome floral

A standing portrait of a courtier Mughal India, 19th century , opaque pigments heightened with gold on paper, facing right, on a terrace, dressed in light pink and white, wearing a white turban ornate with a plume, his right hand resting on a khanda, within borders with scrolling gold palmettes, in gold, gold speckled aubergine and black rules, laid on card, inscription in blue ink to the reverse together with two detached album folios, the wide borders with birds within large polychrome floral

Vishnu saves the elephant king Gajendra ( Gajendra Moksha ), Pahari, second half 19th century, Opaque pigments heightened with gold on paper, a wounded Makara releases Gajendra from his hold, the blue skin deity receiving a lotus as offering from the elephant king, Garuda flying above, within an ovoid medallion, blue margins within black and double red rules 32

Vishnu saves the elephant king Gajendra ( Gajendra Moksha ), Pahari, second half 19th century, Opaque pigments heightened with gold on paper, a wounded Makara releases Gajendra from his hold, the blue skin deity receiving a lotus as offering from the elephant king, Garuda flying above, within an ovoid medallion, blue margins within black and double red rules 32

An illustrated album folio : a forlorn lady Provincial Mughal, North India, mid-19th century Opaque pigments heightened with gold on paper, possibly an illustration to a ragamala series, facing left, she reclining on a bolster, her elbow resting on another, her veiled attendant standing behind, laid on card within thin polychrome margins, wide pink borders with large gold floral blooms on swaying tendrils, the reverse plain with old circular collection label in black ink cursive script, No (?) 2

An illustrated album folio : a forlorn lady Provincial Mughal, North India, mid-19th century Opaque pigments heightened with gold on paper, possibly an illustration to a ragamala series, facing left, she reclining on a bolster, her elbow resting on another, her veiled attendant standing behind, laid on card within thin polychrome margins, wide pink borders with large gold floral blooms on swaying tendrils, the reverse plain with old circular collection label in black ink cursive script, No (?) 2

A group of illustrations, North India, 19th/20th century Opaque pigments and black ink on paper, possibly detached folios, depicting various gods, their mounts and attributes, mounted, framed and glazed 25

A group of illustrations, North India, 19th/20th century Opaque pigments and black ink on paper, possibly detached folios, depicting various gods, their mounts and attributes, mounted, framed and glazed 25

The worship of Sri Nathji Nathdwara, North India, circa 1860 The bare chested and bejewelled blue skinned deity standing in a shrine clad with a floral and latticed picchvai,  two priests worshipping, one holding a oil lamp, the other a morchal , the reverse with pencilled numerals to the lower right corner, mounted The painting 28

The worship of Sri Nathji Nathdwara, North India, circa 1860 The bare chested and bejewelled blue skinned deity standing in a shrine clad with a floral and latticed picchvai,聽 two priests worshipping, one holding a oil lamp, the other a morchal , the reverse with pencilled numerals to the lower right corner, mounted The painting 28

Vishnu reclining and Lakshmi on Sheshanaga, Pahari, second half 19th century, Opaque pigments heightened with gold on paper, floating on the waters of the primeval ocean, his consort holding his feet, lord Brahma emerging from a lotus rising from his navel, cowherds on the river bank, mounted  folio 18

Vishnu reclining and Lakshmi on Sheshanaga, Pahari, second half 19th century, Opaque pigments heightened with gold on paper, floating on the waters of the primeval ocean, his consort holding his feet, lord Brahma emerging from a lotus rising from his navel, cowherds on the river bank, mounted聽 folio 18

A calligraphic work, Kashmir, North India, late 19th century ink and opaque pigment on paper heightened with gold, giving the name "God" and another of his ninety-nine names, the letters filled with foliate motifs, in polychrome margins, wide borders with exuberant scrollwork and trefoils within lobed palmettes, the spandrels with rosettes within lobed medallions, within black and gold rules 38 x 42cm

A calligraphic work, Kashmir, North India, late 19th century ink and opaque pigment on paper heightened with gold, giving the name "God" and another of his ninety-nine names, the letters filled with foliate motifs, in polychrome margins, wide borders with exuberant scrollwork and trefoils within lobed palmettes, the spandrels with rosettes within lobed medallions, within black and gold rules 38 x 42cm

An illustrated folio from a large Shahnameh,  Kashmir, India, circa 1880 Opaque pigments heightened with gold on paper, depicting a ruler and his soldiers being ambushed by the king and his army, within a rocky landscape, with four vertical columns of Persian nastaliq text above and below writting in black on a gold ground, 48 x 28cm

An illustrated folio from a large Shahnameh,聽 Kashmir, India, circa 1880 Opaque pigments heightened with gold on paper, depicting a ruler and his soldiers being ambushed by the king and his army, within a rocky landscape, with four vertical columns of Persian nastaliq text above and below writting in black on a gold ground, 48 x 28cm

Lakshmi anointed by elephants ( Gajalakshmi ), Bikaner or Udaipur, Rajasthan, second half 19th century, Opaque pigments and silver heightened with gold on paper, two elephant flanking and dousing the haloed deity's on the bank of a river strewn with waterlilies, a palace in the background, within yellow margins and thin double white rules, wide red borders with thin single white rule, the reverse with old rectangular collection stamp with inventory number 1124, Thai red ink stamp "喔笗喔脆箓喔｀笀喔曕复 喔涏笉喔嵿覆喔�

Lakshmi anointed by elephants ( Gajalakshmi ), Bikaner or Udaipur, Rajasthan, second half 19th century, Opaque pigments and silver heightened with gold on paper, two elephant flanking and dousing the haloed deity's on the bank of a river strewn with waterlilies, a palace in the background, within yellow margins and thin double white rules, wide red borders with thin single white rule, the reverse with old rectangular collection stamp with inventory number 1124, Thai red ink stamp "喔笗喔脆箓喔｀笀喔曕复 喔涏笉喔嵿覆喔�

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