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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Abraham Francen, Apothecary (B., Holl. 273; H. 291) by Rembrandt van Rijn, circa 1657

    Abraham Francen, Apothecary (B., Holl. 273; H. 291) ,circa 1657

    etching
    P. 158 x 208 mm., S. 168 x 216 mm
    Estimate:
    Result:
    Abraham Francen, Apothecary (Bartsch 273; New Hollstein 301) by Rembrandt van Rijn, circa 1657

    Abraham Francen, Apothecary (Bartsch 273; New Hollstein 301) ,circa 1657

    Etching
    Plate 158 x 208mm. (6 1/4 x 8 1/4in.); Sheet 160 x 210mm. (6 1/4 x 8 1/4in.)
    Estimate:
    Result:
    My Collection
    Abraham Francen, farmacista. by Rembrandt van Rijn, 1657

    Abraham Francen, farmacista. ,1657

    etching
    mm 158x208 mm 162x211.
    Estimate:
    Result:
    Abraham Francen, Apothecary by Rembrandt van Rijn, circa 1657

    Abraham Francen, Apothecary ,circa 1657

    Etching
    156x208 mm
    Estimate:
    Result:
    Abraham Francen, Apothecary by Rembrandt van Rijn, circa 1657

    Abraham Francen, Apothecary ,circa 1657

    Etching
    156x208 mm 6 1/4x8 1/4 inches
    Estimate:
    Result:
    Abraham Francen, Apothecary by Rembrandt van Rijn, circa 1657

    Abraham Francen, Apothecary ,circa 1657

    Etching
    6 1/8 x 8 1/4 in
    Estimate:
    Result:
    Abraham Francen, Apothecary by Rembrandt van Rijn, circa 1657

    Abraham Francen, Apothecary ,circa 1657

    Etching
    156x208 mm
    Estimate:
    Result:
    Abraham Francen, Apothecary by Rembrandt van Rijn, Circa 1657

    Abraham Francen, Apothecary ,Circa 1657

    Etching
    6 1/4 x 8 1/2 in.
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81 II); NEW HOLL. 119; H. 103)

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81 II); NEW HOLL. 119; H. 103)

    PETER AND JOHN HEALING THE CRIPPLE AT THE GATE OF THE TEMPLE (B., HOLL. 94; NEW HOLL. 312; H. 301)

    PETER AND JOHN HEALING THE CRIPPLE AT THE GATE OF THE TEMPLE (B., HOLL. 94; NEW HOLL. 312; H. 301)

    WOMAN BATHING HER FEET AT A BROOK (B., HOLL. 200; NEW HOLL. 309; H. 298)

    WOMAN BATHING HER FEET AT A BROOK (B., HOLL. 200; NEW HOLL. 309; H. 298)

    THE ARTIST'S MOTHER SEATED AT A TABLE, LOOKING RIGHT: THREE QUARTER LENGTH (B., HOLL. 343; NEW HOLL. 91; H. 52)

    THE ARTIST'S MOTHER SEATED AT A TABLE, LOOKING RIGHT: THREE QUARTER LENGTH (B., HOLL. 343; NEW HOLL. 91; H. 52)

    2 WORKS; SHEET OF STUDIES: HEAD OF THE ARTIST, A BEGGAR COUPLE, HEADS OF AN OLD MAN AND OLD WOMAN, ETC. (B., HOLL. 363; NEW HOLL. 115; H. 90)

    2 WORKS; SHEET OF STUDIES: HEAD OF THE ARTIST, A BEGGAR COUPLE, HEADS OF AN OLD MAN AND OLD WOMAN, ETC. (B., HOLL. 363; NEW HOLL. 115; H. 90)

    SELF-PORTRAIT WITH RAISED SABRE (B., HOLL. 18; NEW HOLL. 134; H. 109)

    SELF-PORTRAIT WITH RAISED SABRE (B., HOLL. 18; NEW HOLL. 134; H. 109)

    CANAL WITH A LARGE BOAT AND A BRIDGE ('HET SCHUYTJE OP DE VOORGROND') (B., HOLL. 236; NEW HOLL. 252; H. 239)

    CANAL WITH A LARGE BOAT AND A BRIDGE ('HET SCHUYTJE OP DE VOORGROND') (B., HOLL. 236; NEW HOLL. 252; H. 239)

    RAGGED PEASANT WITH HIS HANDS BEHIND HIM, HOLDING A STICK (B., HOLL. 172; NEW HOLL. 47; H. 16)

    RAGGED PEASANT WITH HIS HANDS BEHIND HIM, HOLDING A STICK (B., HOLL. 172; NEW HOLL. 47; H. 16)

    THE ARTIST'S MOTHER, HEAD AND BUST: THREE QUARTERS RIGHT (B., HOLL. 354; NEW HOLL. 5; H. 1)

    THE ARTIST'S MOTHER, HEAD AND BUST: THREE QUARTERS RIGHT (B., HOLL. 354; NEW HOLL. 5; H. 1)

    EPHRAIM BONUS, JEWISH PHYSICIAN (B., HOLL. 278; NEW HOLL. 237; H. 226)

    EPHRAIM BONUS, JEWISH PHYSICIAN聽(B., HOLL. 278; NEW HOLL. 237; H. 226)

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