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29 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Ann in the Studio (M.C.A.T. 258) by David Hockney, 1984

    Ann in the Studio (M.C.A.T. 258) ,1984

    etching
    P. 24 x 36 in. (610 x 914 mm.) S. 30戮 x 41戮 in. (781 x 1061 mm.)
    Estimate:
    Result:
    Anne in the Studio by David Hockney, 1984

    Anne in the Studio ,1984

    etching
    P. 23 7/8 x 35戮 in. (606 x 908 mm.), S. 30 7/8 x 41戮 in. (785 x 1060 mm.)
    Estimate:
    Result:
    Anne in the Studio (M.C.A.T. 258; Gemini 1191) by David Hockney, 1984

    Anne in the Studio (M.C.A.T. 258; Gemini 1191) ,1984

    etching
    P. 24 x 35 5/8 in. (610 x 905 mm.) S. 30戮 x 41陆 in. (781 x 1054 mm.)
    Estimate:
    Result:
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    Available Works from Galleries

    He Enquired After the Quality

    By David Hockney
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    By David Hockney
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    THE LAKE (SCOTTISH ARTS COUNCIL 80; M.C.A.T. 77)

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    THE BOY WHO LEFT HOME TO LEARN FEAR (SCOTTISH ARTS COUNCIL 87-97; M.C.A.T. 84-94)

    THE BOY WHO LEFT HOME TO LEARN FEAR (SCOTTISH ARTS COUNCIL 87-97; M.C.A.T. 84-94)

    PANAMA HAT (SCOTTISH ARTS COUNCIL 127; M.C.A.T. 119)

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    CELIA PONDERING (SCOTTISH ARTS COUNCIL 246)

    CELIA PONDERING (SCOTTISH ARTS COUNCIL 246)

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    POOL MADE WITH PAPER AND BLUE INK FOR BOOK (TYLER 269; M.C.A.T. 234)

    PICTURE OF A SIMPLE FRAMED TRADITIONAL NUDE DRAWING (SCOTTISH ARTS COUNCIL, M.C.A.T. 45)

    PICTURE OF A SIMPLE FRAMED TRADITIONAL NUDE DRAWING (SCOTTISH ARTS COUNCIL, M.C.A.T. 45)

    CELIA - ADJUSTING HER EYELASH (GEMINI 837)

    CELIA - ADJUSTING HER EYELASH (GEMINI 837)

    CELIA WITH GREEN HAT (M.C.A.T. 268)

    CELIA WITH GREEN HAT (M.C.A.T. 268)

    PORTRAIT OF MOTHER I (M.C.A.T. 281)

    PORTRAIT OF MOTHER I (M.C.A.T. 281)

    PAINTED ENVIRONMENT I (M.C.A.T. 351)

    PAINTED ENVIRONMENT I (M.C.A.T. 351)

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