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18 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    CELIA ADJUSTING HER EYELASH (GEMINI 837) by David Hockney, 1979

    CELIA ADJUSTING HER EYELASH (GEMINI 837) ,1979

    Lithograph
    sheet: 58 by 79cm.
    Estimate:
    Result:
    Celia--Adjusting her Eyelash (G. 837) by David Hockney, 1979

    Celia--Adjusting her Eyelash (G. 837) ,1979

    lithograph
    S. 21 x 31 in. (533 x 787 mm.)
    Estimate:
    Result:
    My Collection
    Celia--Adjusting her Eyelash (G. 837) by David Hockney, 1979

    Celia--Adjusting her Eyelash (G. 837) ,1979

    lithograph
    S. 22 7/8 x 31 in. (580 x 787 mm.)
    Estimate:
    Result:
    Celia Adjusting her Eyelash by David Hockney, 1979

    Celia Adjusting her Eyelash ,1979

    Lithograph
    sheet 23 x 31in
    Estimate:
    Result:
    Celia Adjusting her Eyelash by David Hockney, 1979

    Celia Adjusting her Eyelash ,1979

    Lithograph
    580x783 mm
    Estimate:
    Result:
    Celia Adjusting Her Eyelash by David Hockney, 1979

    Celia Adjusting Her Eyelash ,1979

    lithograph
    sheet 22 3/4 x 31in (57.8 x 78.7cm)
    Estimate:
    Result:
    Celia (La Bergère) (from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc. Portfolio) (Gemini 955) by David Hockney, 1981

    Celia (La Berg猫re) (from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc. Portfolio) (Gemini 955) ,1981

    lithograph
    24 x 35 x 2.75 in ( 61 x 88.9 x 7 cm ) ( sheet )
    Estimate:
    Result:
    Celia Reclining (Museum of Contemporary Art Tokyo 225) by David Hockney, 1979

    Celia Reclining (Museum of Contemporary Art Tokyo 225) ,1979

    Lithograph
    582 by 551mm 22鈪� by 21戮in
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

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    THE BOY WHO LEFT HOME TO LEARN FEAR (SCOTTISH ARTS COUNCIL 87-97; M.C.A.T. 84-94)

    THE BOY WHO LEFT HOME TO LEARN FEAR (SCOTTISH ARTS COUNCIL 87-97; M.C.A.T. 84-94)

    PANAMA HAT (SCOTTISH ARTS COUNCIL 127; M.C.A.T. 119)

    PANAMA HAT (SCOTTISH ARTS COUNCIL 127; M.C.A.T. 119)

    CELIA PONDERING (SCOTTISH ARTS COUNCIL 246)

    CELIA PONDERING (SCOTTISH ARTS COUNCIL 246)

    GREGORY READING IN KYOTO

    GREGORY READING IN KYOTO

    CELIA WITH GREEN HAT (M.C.A.T. 268)

    CELIA WITH GREEN HAT (M.C.A.T. 268)

    PICTURE OF A SIMPLE FRAMED TRADITIONAL NUDE DRAWING (SCOTTISH ARTS COUNCIL, M.C.A.T. 45)

    PICTURE OF A SIMPLE FRAMED TRADITIONAL NUDE DRAWING (SCOTTISH ARTS COUNCIL, M.C.A.T. 45)

    THE LAKE (SCOTTISH ARTS COUNCIL 80; M.C.A.T. 77)

    THE LAKE (SCOTTISH ARTS COUNCIL 80; M.C.A.T. 77)

    ANN IN THE STUDIO (M.C.A.T. 258)

    ANN IN THE STUDIO (M.C.A.T. 258)

    PORTRAIT OF MOTHER I (M.C.A.T. 281)

    PORTRAIT OF MOTHER I (M.C.A.T. 281)

    PAINTED ENVIRONMENT I (M.C.A.T. 351)

    PAINTED ENVIRONMENT I (M.C.A.T. 351)

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