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2 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Act IV Scene 7 by William Kentridge, 1996鈥�97

    Act IV Scene 7 ,1996鈥�97

    etching
    25 x 30 cm
    Estimate:
    Result:
    6 Works: Sleeping on Glass Series by William Kentridge, 1999

    6 Works: Sleeping on Glass Series ,1999

    etching, graphite, red pencil and Chine coll泰 of an antique book page on Fabriano Rosapina paper
    each 25.0 x 34.0 cm
    Estimate:
    Result:
    My Collection
    Eight works: Untitled (Black Ubu) by William Kentridge, 1997

    Eight works: Untitled (Black Ubu) ,1997

    etchings with drypoint
    35 x 50 cm each
    Estimate:
    Result:
    Untitled (The Artist Sitting) (Yellow), from: The HMV Set by William Kentridge, 1998

    Untitled (The Artist Sitting) (Yellow), from: The HMV Set ,1998

    drypoint and etching with yellow chine collé
    242 x 233 mm. Sheet 462 x 396 mm.
    Estimate:
    Result:
    Set of 3 Works: Baedeker (K. p. 74-75) by William Kentridge, 1999

    Set of 3 Works: Baedeker (K. p. 74-75) ,1999

    lithographs printed in blue and black
    240 x 285 mm
    Estimate:
    Result:
    Untitled (The Artist Sitting), from: The HMV Set (Krut p. 64) by William Kentridge, 1998

    Untitled (The Artist Sitting), from: The HMV Set (Krut p. 64) ,1998

    drypoint and etching with yellow chine collé on wove paper
    225/242 x 235 mm
    Estimate:
    Result:
    Panic/Picnic by William Kentridge, 1999

    Panic/Picnic ,1999

    Etching with graphite and red pencil on chine collé of antique
    9 7/8 x 13 1/4in
    Estimate:
    Result:
    Nicely Built City Never Resists Destruction by William Kentridge, 1995

    Nicely Built City Never Resists Destruction ,1995

    etching, aquatint and drypoint, from 1 copper plate, on Zerkall 220 gsm paper
    29,5 by 37,5cm
    Estimate:
    Result:
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