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6 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Christ healing the Sick: 'The Hundred Guilder Print' - the Right Fragment by Rembrandt van Rijn, 1649

    Christ healing the Sick: 'The Hundred Guilder Print' - the Right Fragment ,1649

    etching with engraving and drypoint
    P. 195 x 125mm., S. 220 x 140 mm
    Estimate:
    Result:
    Beggars receiving Alms at the Door by Rembrandt van Rijn, 1648

    Beggars receiving Alms at the Door ,1648

    etching and drypoint
    P. 165 x 128 mm., S. 166 x 132 mm.
    Estimate:
    Result:
    My Collection
    Beggars Receiving Alms at the Door of a House by Rembrandt van Rijn, 1648

    Beggars Receiving Alms at the Door of a House ,1648

    Etching
    6 5/8 by 5 1/8 in
    Estimate:
    Result:
    Beggars Receiving Alms at a Door by Rembrandt van Rijn, 1648

    Beggars Receiving Alms at a Door ,1648

    Etching
    165x130 mm; 6 1/2x5 1/8 inches
    Estimate:
    Result:
    Beggars receiving Alms at the Door of a House by Rembrandt van Rijn, 1648

    Beggars receiving Alms at the Door of a House ,1648

    etching and drypoint
    P. 165 x 129 mm., S. 176 x 138 mm
    Estimate:
    Result:
    BEGGARS RECEIVING ALMS AT A DOOR by Rembrandt van Rijn, 1648

    BEGGARS RECEIVING ALMS AT A DOOR ,1648

    etching
    6 1/2 x 4 3/4 in
    Estimate:
    Result:
    Beggars Receiving Alms at a Door by Rembrandt van Rijn, 1648

    Beggars Receiving Alms at a Door ,1648

    Etching
    167x128 mm; 6 1/2x5 1/8 inches
    Estimate:
    Result:
    Beggars Receiving Alms at a Door by Rembrandt van Rijn, 1648

    Beggars Receiving Alms at a Door ,1648

    Etching
    165x130 mm; 61/2x51/8 inches
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    The Angel departing from the Family of Tobias (B., Holl. 43; H. 185)

    The Angel departing from the Family of Tobias (B., Holl. 43; H. 185)

    Christ driving the Money-Changers from the Temple (B., Holl. 69; H. 126)

    Christ driving the Money-Changers from the Temple (B., Holl. 69; H. 126)

    The Good Samaritan (B., Holl. 90, H. 101)

    The Good Samaritan (B., Holl. 90, H. 101)

    Jan Uytenbogaert, Preacher of the Remonstrants (B., Holl. 279; H. 128)

    Jan Uytenbogaert, Preacher of the Remonstrants (B., Holl. 279; H. 128)

    Self Portrait in a Cap, open-mouthed (B., Holl. 320; H. 32)

    Self Portrait in a Cap, open-mouthed (B., Holl. 320; H. 32)

    Abraham caressing Isaac (B., Holl. 33; Hind 148)

    Abraham caressing Isaac (B., Holl. 33; Hind 148)

    The Angel appearing to the Shepherds (B., Holl. 44; H. 120)

    The Angel appearing to the Shepherds (B., Holl. 44; H. 120)

    The Death of the Virgin (B., Holl. 99; H. 161)

    The Death of the Virgin (B., Holl. 99; H. 161)

    Abraham Francen, Apothecary (B., Holl. 273; H. 291)

    Abraham Francen, Apothecary (B., Holl. 273; H. 291)

    Recueil de Quatre-Vingt-Cinq Estampes originales, Têtes, Paysages et différents Sujets, déssinées et gravées par Rembrandt

    Recueil de Quatre-Vingt-Cinq Estampes originales, T锚tes, Paysages et diff茅rents Sujets, d茅ssin茅es et grav茅es par Rembrandt

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    After Rembrandt van Rijn Head and shoulders self portrait Oil on panel - Rembrandt van Rijn

    Bowler & Binnie;
    SF after Rembrandt Van Rijn Half bust portrait of Rembrandt Engraving Initials S.F and dated 1848 - Rembrandt van Rijn

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