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8 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Celia with Chair (M.C.A.T. 306) by David Hockney, 1986

    Celia with Chair (M.C.A.T. 306) ,1986

    Home-made print executed on an office colour copy machine, on Arches Text paper, the full sheet.
    21.5 x 28 cm
    Estimate:
    Result:
    Celia with Chair (M.C.A.T. 306) by David Hockney, 1986

    Celia with Chair (M.C.A.T. 306) ,1986

    Home-made print executed on an office colour copy machine, on Arches Text paper, the full sheet.
    21.4 x 27.8 cm (8 3/8 x 10 7/8 in.)
    Estimate:
    Result:
    Celia with Chair (M.C.A.T. 306 by David Hockney, 1986

    Celia with Chair (M.C.A.T. 306 ,1986

    Home-made print executed on an office colour copy machine, on Arches Text paper, the full sheet.
    framed 39 x 45 cm (15 3/8 x 17 3/4 in.)
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    Available Works from Galleries

    Banana (Original Drawing)

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    Tres (End Of Triple)

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    towards art? The contribution of the RCA to the Fine Arts 1952-62

    towards art? The contribution of the RCA to the Fine Arts 1952-62

    Etching is the Subject, plate 14 from The Blue Guitar (S.A.C. 212, M.C.A.T. 191)

    Etching is the Subject, plate 14 from The Blue Guitar (S.A.C. 212, M.C.A.T. 191)

    Celia in a Wicker Chair (M.C.A.T. 158)

    Celia in a Wicker Chair (M.C.A.T. 158)

    The Master Printer of Los Angeles (Gemini G.E.L. 451, S.A.C. 149, M.C.A.T. 139)

    The Master Printer of Los Angeles (Gemini G.E.L. 451, S.A.C. 149, M.C.A.T. 139)

    The Beginning, plate 9 from Illustrations for 14 Poems by C.P. Cavafy (E.A. 466, S.A.C. 55, M.C.A.T. 55)

    The Beginning, plate 9 from Illustrations for 14 Poems by C.P. Cavafy (E.A. 466, S.A.C. 55, M.C.A.T. 55)

    Two Pembroke Studio Chairs, from Moving Focus (T.G. 276, M.C.A.T. 264)

    Two Pembroke Studio Chairs, from Moving Focus (T.G. 276, M.C.A.T. 264)

    Conversation in the Studio, from Moving Focus (T.G. 271, M.C.A.T. 260)

    Conversation in the Studio, from Moving Focus (T.G. 271, M.C.A.T. 260)

    My Window: No. 535 28th June 2009; No. 281 23rd July 2010; No. 610, 23rd December 2010; and No. 778, 17th April 2011

    My Window: No. 535 28th June 2009; No. 281 23rd July 2010; No. 610, 23rd December 2010; and No. 778, 17th April 2011

    Portrait of Quentin Crisp (Life Drawing at RCA)

    Portrait of Quentin Crisp (Life Drawing at RCA)

    Extending, February 1990

    Extending, February 1990

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