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2 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    CORNER OF THE STUDIO by Francis Bacon, 1934

    CORNER OF THE STUDIO ,1934

    ink and wash on paper
    52.5 by 40.5cm.; 20 3/4 by 15 7/8 in.
    Estimate:
    Result:
    Corner of the Studio by Francis Bacon

    Corner of the Studio

    pen, ink and wash on paper
    20 3/4 x 15 5/8 in. 52.7 x 39.8 cm.
    Estimate:
    Result:
    Composition (Figure) by Francis Bacon, 1933

    Composition (Figure) ,1933

    gouache, pastel, pen and ink on paper
    21 x 15陆in. (53.5 x 40cm.)
    Estimate:
    Result:
    Composition by Francis Bacon, Executed in 1933.

    Composition ,Executed in 1933.

    tempera, pen, ink and pencil on paper
    53 x 39,8 cm ; 20鈪瀤 15 11/16 in 53 x 39,8 cm ; 20鈪瀤 15 11/16 in
    Estimate:
    Result:
    Corner of the Studio (Postcard with original drawing addressed to Sir Michael Sadler) by Francis Bacon, 1934

    Corner of the Studio (Postcard with original drawing addressed to Sir Michael Sadler) ,1934

    watercolour and ink pen on postcard
    8,2 x 13,3 cm ; 3录x 5录in8,2 x 13,3 cm ; 3录x 5录in
    Estimate:
    Result:
    Charcoal study of a kneeling nude male, bearing signature lower right Francis Bacon, nude study of a by Francis Bacon

    Charcoal study of a kneeling nude male, bearing signature lower right Francis Bacon, nude study of a

    oil on paper
    largest 42 x 29.5cm
    Estimate:
    Result:
    Gouache by Francis Bacon, 1929

    Gouache ,1929

    distemper and watercolour on paper
    13 7/8 x 9 7/8in. (35.4 x 25cm.)
    Estimate:
    Result:

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