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2 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Gone, Yet Still (Untitled 2) by Terence Koh, 2005

    Gone, Yet Still (Untitled 2) ,2005

    Mixed media installation comprised of paint, plaster, wax and organic materials in 17 glass vitrines.
    Installation dimensions variable; approximately as illustrated: 210 x 107 x 150 cm. (82 3/4 x 42 1/8 x 59 in).
    Estimate:
    Result:
    UNTITLED (MEDUSA) by Terence Koh, 2006

    UNTITLED (MEDUSA) ,2006

    wood, paint, plaster
    93 3/8 by 42 1/8 by 66 1/8 in. 237 by 107 by 168 cm
    Estimate:
    Result:
    UNTITLED (MEDUSA) by Terence Koh, 2006

    UNTITLED (MEDUSA) ,2006

    Wood, paint, plaster, urinal, steel, porcelain, mirror, glue, bonding paste, ashes, oil, burnt wood, wiring and light sculpture
    92 1/2 x 42 1/8 x 42 1/8 in
    Estimate:
    Result:
    These Decades that We Never Sleep, Black Light by Terence Koh, 2004

    These Decades that We Never Sleep, Black Light ,2004

    Mixed media installation comprised of a crystal chandelier, paint, lollipops, vegetable matter, human and horse hair, mineral oil, rope , glass shards, stones and artist's organic material
    74 7/8 x 28 3/8 x 28 3/8 in
    Estimate:
    Result:
    These Decades that We Never Sleep, Black Light by Terence Koh, 2004

    These Decades that We Never Sleep, Black Light ,2004

    mixed media installation comprised of a crystal chandelier, paint, lollipops, vegetable matter, human and horse hair, mineral oil, rope , glass shards, stones, and artist's organic material
    74 7/8 x 28 3/8 x 28 3/8 in
    Estimate:
    Result:
    Do Not Doubt the Dangerousness of my Butterfly Song, Black by Terence Koh, 2004

    Do Not Doubt the Dangerousness of my Butterfly Song, Black ,2004

    Metal vitrine, speakers, iPod, song with artist singing in his own private language, paint, hair, male battus philenor butterfly and blackened ash from a gingko tree.
    155 x 114 x 46 cm. (61 x 44 7/8 x 18 1/8 in).
    Estimate:
    Result:
    Do Not Doubt the Dangerousness of my Butterfly Song, Black by Terence Koh, 2004

    Do Not Doubt the Dangerousness of my Butterfly Song, Black ,2004

    Custom metal vitrine, speakers, iPod, song with artist singing in his own private language, paint, Indian hair, male battus philenor butterfly and blackened ash from a gingko tree
    60 x 45 x 18 in. (152.4 x 114.3 x 45.7 cm).
    Estimate:
    Result:
    Untitled (White Light #1) by Terence Koh, 2006

    Untitled (White Light #1) ,2006

    Mixed media installation comprised of paint, plaster, wax, porcelain, wood, metal, bones, skulls, plastic, bronze and organic materials in 42 glass vitrines.
    Installation dimensions variable; approximately as illustrated: 272 x 185 x 190 cm. (107 x 73 x 75 in).
    Estimate:
    Result:
    I am guiding myself true an impossible nectarine what then becomes of the camel. by Terence Koh, 2008

    I am guiding myself true an impossible nectarine what then becomes of the camel. ,2008

    gilding, glass, steel
    127 x 80 x 193,5cm.
    Estimate:
    Result:
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    God dirty in the blind - Terence Koh

    God dirty in the blind - Terence Koh

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    鈥淭he Making of a Unicorn is More Dangerous than GOD,鈥� 2007, edition 2/2 along with one 1 artist edition, approximately 134 black and white dye coupler prints, some with paint, sparkles and mixed media, overall dimensions vary with installation. Provenance: Purchased from Art Basel, Miami, December 2007 for $315,000 - Terence Koh

    鈥淭he Making of a Unicorn is More Dangerous than GOD,鈥� 2007, edition 2/2 along with one 1 artist edition, approximately 134 black and white dye coupler prints, some with paint, sparkles and mixed media, overall dimensions vary with installation. Provenance: Purchased from Art Basel, Miami, December 2007 for $315,000 - Terence Koh

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