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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290) by Rembrandt van Rijn, 1656

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290) ,1656

    Etching with drypoint
    plate: 195 by 146mm 7 3/4 by 5 3/4 in sheet: 199 by 150mm 7 7/8 by 6in
    Estimate:
    Result:
    Jan Lutma, Goldsmith (B., Holl. 276; H. 290) by Rembrandt van Rijn, 1656

    Jan Lutma, Goldsmith (B., Holl. 276; H. 290) ,1656

    etching with drypoint
    P. 195 x 148 mm., S. 203 x 155 mm
    Estimate:
    Result:
    My Collection
    JAN LUTMA by Rembrandt van Rijn, 1656

    JAN LUTMA ,1656

    Etching with drypoint
    plate: 195 by 146mm 7 3/4 by 5 3/4 in
    Estimate:
    Result:
    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290) by Rembrandt van Rijn, 1656

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290) ,1656

    Etching with engraving and drypoint
    plate: 199 by 150mm 7 7/8 by 5 7/8 in sheet: 209 by 158mm 8 1/4 by 6 1/4 in
    Estimate:
    Result:
    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290) by Rembrandt van Rijn, 1656

    JAN LUTMA, GOLDSMITH (B., HOLL. 276; NEW HOLL. 293; H. 290) ,1656

    Etching with engraving and drypoint
    plate: 197 by 148mm 7 3/4 by 5 3/4 in sheet: 202 by 152mm 8 by 6in
    Estimate:
    Result:
    Jan Lutma, Goldsmith (B., Holl. 276; New Holl. 293; H. 290) by Rembrandt van Rijn, 1656

    Jan Lutma, Goldsmith (B., Holl. 276; New Holl. 293; H. 290) ,1656

    Etching with engraving and drypoint
    197 by 148mm 7戮 by 5鈪瀒n
    Estimate:
    Result:
    Jan Lutma by Rembrandt van Rijn, 1656

    Jan Lutma ,1656

    Etching and drypoint
    200 x 150 mm 7 7/8 x 5 7/8 in sheet 205 x 155 mm 8 x 6 1/8 in
    Estimate:
    Result:
    Jan Lutma, Goldsmith by Rembrandt van Rijn, 1656

    Jan Lutma, Goldsmith ,1656

    Etching and drypoint
    197x150 mm; 7戮x5鈪� inches
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    SELF-PORTRAIT LEANING ON A STONE SILL (B., HOLL. 21; NEW HOLL. 171; H. 168)

    SELF-PORTRAIT LEANING ON A STONE SILL (B., HOLL. 21; NEW HOLL. 171; H. 168)

    SELF-PORTRAIT IN A CAP AND SCARF WITH THE FACE DARK: BUST (B., HOLL. 17; NEW HOLL. 120; H. 108)

    SELF-PORTRAIT IN A CAP AND SCARF WITH THE FACE DARK: BUST (B., HOLL. 17; NEW HOLL. 120; H. 108)

    THE ARTIST'S MOTHER IN A CLOTH HEADDRESS, LOOKING DOWN: HEAD ONLY (B., HOLL. 351; NEW HOLL. 121; H. 107)

    THE ARTIST'S MOTHER IN A CLOTH HEADDRESS, LOOKING DOWN: HEAD ONLY (B., HOLL. 351; NEW HOLL. 121; H. 107)

    THE SLEEPING HERDSMAN (B., HOLL. 189; NEW HOLL. 217; H. 207)

    THE SLEEPING HERDSMAN (B., HOLL. 189; NEW HOLL. 217; H. 207)

    THE TRIBUTE MONEY (B., HOLL. 68; NEW HOLL. 138; H. 124)

    THE TRIBUTE MONEY (B., HOLL. 68; NEW HOLL. 138; H. 124)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    OLD MAN WITH A DIVIDED CAP (B., HOLL. 265; NEW HOLL. 182; H. 170)

    OLD MAN WITH A DIVIDED CAP (B., HOLL. 265; NEW HOLL. 182; H. 170)

    CHRIST AT EMMAUS: THE LARGER PLATE (B., HOLL. 87; NEW HOLL. 283; H. 282)

    CHRIST AT EMMAUS: THE LARGER PLATE (B., HOLL. 87; NEW HOLL. 283; H. 282)

    CHRIST DRIVING THE MONEY CHANGERS FROM THE TEMPLE (B., HOLL. 69; NEW HOLL. 139; H. 126)

    CHRIST DRIVING THE MONEY CHANGERS FROM THE TEMPLE (B., HOLL. 69; NEW HOLL. 139; H. 126)

    LANDSCAPE WITH A COTTAGE AND A LARGE TREE (B., HOLL. 226; NEW HOLL. 198; H. 178)

    LANDSCAPE WITH A COTTAGE AND A LARGE TREE (B., HOLL. 226; NEW HOLL. 198; H. 178)

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