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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Le Peintre et son modèle (B. 765; M. 262) by Pablo Picasso, 1954

    Le Peintre et son mod猫le (B. 765; M. 262) ,1954

    Lithograph printed in colors
    image: 500 by 640 mm 19 3/4 by 25 1/4 in
    Estimate:
    Result:
    LE PEINTRE ET SON MODELE (SEE BLOCH 765; SEE MOURLOT 262; SEE PICASSO PROJECT 262) by Pablo Picasso, 1954

    LE PEINTRE ET SON MODELE (SEE BLOCH 765; SEE MOURLOT 262; SEE PICASSO PROJECT 262) ,1954

    Lithograph printed in colors
    500 by 635 mm; 19 3/4 by 25 1/4 in
    Estimate:
    Result:
    L'Atelier de Cannes, cover for 'Ces peintres nos amis, Vol. II' (Mourlout 279; Bloch 794) by Pablo Picasso, 1956

    L'Atelier de Cannes, cover for 'Ces peintres nos amis, Vol. II' (Mourlout 279; Bloch 794) ,1956

    Lithograph printed in colours
    450 x 650mm (17 3/4 x 25 5/8in)(SH)(unframed)
    Estimate:
    Result:
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    LE REPOS DU SCULPTEUR DEVANT DES CHEVAUX ET UN TAUREAU (B. 166; BA. 319)

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    LE REPOS DU SCULPTEUR, II (B. 172; BA. 325)

    DANSE NOCTURNE AVEC UN HIBOU (B. 936; BA. 1256; PP. L-077)

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    PETIT DÉJEUNER SUR L'HERBE, D'APRÈS MANET (B. 1096; BA. 1328; PP. L-149)

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    FEMME ASSISE (DORA MAAR) (SEE CZW. 92)

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    ETREINTE II (B. 1111; BA. 1104)

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    FAUNE SOURIANT (B. 519; M., PP. 112)

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    CAPE ET ÉPÉE: POURSUITE I; ENLÈVEMENT À PIED, AVEC LA CÉLESTINE ; AND JEUNE FEMME ET GENTILHOMME SCULPTURE EGYPTIENNE AU SOCLE PEINT (B., PP.

    CAPE ET 脡P脡E: POURSUITE I; ENL脠VEMENT 脌 PIED, AVEC LA C脡LESTINE ; AND JEUNE FEMME ET GENTILHOMME SCULPTURE EGYPTIENNE AU SOCLE PEINT (B., PP.

    DÉMÉNAGEMENT, OU CHARRETTE RÉVOLUTIONNAIRE (B., PP. 1677; BA. 1693)

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    TOROS Y TOREROS (C. BKS 112; B. 1012; M., PP. 345)

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