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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Landscape with a Milkman by Rembrandt van Rijn, circa 1650

    Landscape with a Milkman ,circa 1650

    Etching and drypoint
    2 3/4x7 inches
    Estimate:
    Result:
    Landscape with a Hay Barn on the Diemerdijk with a Flock of Sheep by Rembrandt van Rijn, 1650

    Landscape with a Hay Barn on the Diemerdijk with a Flock of Sheep ,1650

    etching and drypoint
    Plate 82 x 175 mm. Sheet 90 x 177 mm
    Estimate:
    Result:
    My Collection
    Landscape with a Hay Barn on the Diemerdijk with a Flock of Sheep by Rembrandt van Rijn, 1650

    Landscape with a Hay Barn on the Diemerdijk with a Flock of Sheep ,1650

    etching and drypoint
    82 x 175 mm. Sheet 90 x 177 mm.
    Estimate:
    Result:
    LANDSCAPE WITH A SQUARE TOWER by Rembrandt van Rijn, 1650

    LANDSCAPE WITH A SQUARE TOWER ,1650

    Etching and drypoint
    3 1/2 x 6 3/16 in. (8.9 x 15.7cm)
    Estimate:
    Result:
    Landscape with a Square Tower by Rembrandt van Rijn, 1650

    Landscape with a Square Tower ,1650

    Etching and drypoint
    3 1/2 x 6 1/4 in
    Estimate:
    Result:
    Landscape with an Obelisk by Rembrandt van Rijn, circa 1650

    Landscape with an Obelisk ,circa 1650

    Etching and drypoint
    85x162 mm; 3 1/2x6 1/2 inches,
    Estimate:
    Result:
    Landscape with an Obelisk (B., Holl. 227; H. 243) by Rembrandt van Rijn, circa 1650

    Landscape with an Obelisk (B., Holl. 227; H. 243) ,circa 1650

    etching and drypoint
    P. 84 x 162 mm., S. 92 x 170 mm
    Estimate:
    Result:
    LANDSCAPE WITH A SQUARE TOWER (B., HOLL. 218; NEW HOLL. 250; H. 245) by Rembrandt van Rijn, 1650

    LANDSCAPE WITH A SQUARE TOWER (B., HOLL. 218; NEW HOLL. 250; H. 245) ,1650

    Etching and drypoint
    sheet: 93 by 163mm 3 3/4 by 6 1/2 in
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    The Artist's Mother seated at a Table, looking right: Three quarter length (B., Holl. 343; H. 52; New Holl. 91)

    The Artist's Mother seated at a Table, looking right: Three quarter length (B., Holl. 343; H. 52; New Holl. 91)

    The Triumph of Mordecai (B., Holl. 40; H. 172; New Holl. 185)

    The Triumph of Mordecai (B., Holl. 40; H. 172; New Holl. 185)

    The Descent from the Cross by Torchlight (B., Holl. 83; H. 280; New Holl. 286)

    The Descent from the Cross by Torchlight (B., Holl. 83; H. 280; New Holl. 286)

    Saint Jerome reading (B., Holl. 100; H. 119; New Holl. 126)

    Saint Jerome reading (B., Holl. 100; H. 119; New Holl. 126)

    The Goldsmith (B., Holl. 123; H. 285; New Holl. 289)

    The Goldsmith (B., Holl. 123; H. 285; New Holl. 289)

    Peasant Family on the Tramp (B., Holl. 131; Hind 259; New Hollstein 266)

    Peasant Family on the Tramp (B., Holl. 131; Hind 259; New Hollstein 266)

    Rembrandt's Mother with Hand on Chest (B., Holl. 349; H.50; New Holl. 87)

    Rembrandt's Mother with Hand on Chest (B., Holl. 349; H.50; New Holl. 87)

    The Descent from the Cross: Second Plate (B., Holl. 81; H. 103; New Holl. 119)

    The Descent from the Cross: Second Plate (B., Holl. 81; H. 103; New Holl. 119)

    Abraham's Sacrifice (B., Holl. 35; H. 283; New Holl. 287)

    Abraham's Sacrifice (B., Holl. 35; H. 283; New Holl. 287)

    Jan Lutma, Goldsmith (B., Holl. 276; H. 290; New Holl. 293)

    Jan Lutma, Goldsmith (B., Holl. 276; H. 290; New Holl. 293)

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