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4 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Natalia Vodianova, Cannes 2007 by Mario Testino, 2012

    Natalia Vodianova, Cannes 2007 ,2012

    Digitally produced fiber-based silver gelatin print on Ilford galerie FB digital paper
    24 x 20 in.
    Estimate:
    Result:
    Lara Stone for British Vogue by Mario Testino, 2009

    Lara Stone for British Vogue ,2009

    Cibachrome print
    24 x 20 in.
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    Kate Moss, London, 2006 by Mario Testino, 2012

    Kate Moss, London, 2006 ,2012

    chromogenic print, on Fujiflex Crystal Archive Supergloss paper
    508 x 610 mm
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    LARA STONE, FOR BRITISH VOGUE, 2009 by Mario Testino, 2009

    LARA STONE, FOR BRITISH VOGUE, 2009 ,2009

    Cibachrome print
    image: 56 by 42cm.; 22 by 16 1/2in.;sheet: 61 by 50.5cm.; 24 by 19 7/8in.
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    Kate Moss by Mario Testino, 2012

    Kate Moss ,2012

    archival inkjet print collage
    51 x 61cm (20 1/16 x 24in)
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    Kate Moss, London, 2006 by Mario Testino, 2012

    Kate Moss, London, 2006 ,2012

    Chromogenic print
    S. 50.8 x 61 cm
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    Kate Moss, London, 2006 by Mario Testino, 2012

    Kate Moss, London, 2006 ,2012

    Chromogenic print, on Fujiflex Crystal Archive Supergloss paper
    I. 41.2 x 53.4 cm (16 1/4 x 21 in.) S. 50.8 x 61 cm (20 x 24 in.)
    Estimate:
    Result:
    Kate Moss, London, 2006 by Mario Testino, 2012

    Kate Moss, London, 2006 ,2012

    Chromogenic print, on Fujiflex Crystal Archive Supergloss paper
    I. 41.2 x 53.4 cm (16 1/4 x 21 in.) S. 50.8 x 61 cm (20 x 24 in.)
    Estimate:
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    JULIANNE MOORE by Mario Testino, 2010

    JULIANNE MOORE ,2010

    color photograph
    17 1/4 x 23 inches
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