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Yve Close Planter Tibetan School Signe Persson-Melin Betty V. Devonald Congolese School Semi Precious Scottish School, 20th Century bARBER Edouard Collet
 

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14 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Odalisques avec deux Hommes Rêvant, from Series 347 by Pablo Picasso, 1968

    Odalisques avec deux Hommes R锚vant, from Series 347 ,1968

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    P. 417 x 316 mm., S. 580 x 455 mm
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    Result:
    Odalisques avec deux Hommes rêvant, from Séries 347 (B. 1487; Ba. 1502 Bb1) by Pablo Picasso, 1968

    Odalisques avec deux Hommes r锚vant, from S茅ries 347 (B. 1487; Ba. 1502 Bb1) ,1968

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    417 x 315 mm. 576 x 454 mm
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    Result:
    My Collection
    Odalisques avec Deux Hommes Rêvant, Pl.7 from \'Séries 347\' by Pablo Picasso, 1968

    Odalisques avec Deux Hommes R锚vant, Pl.7 from \'S茅ries 347\' ,1968

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    Image: 41.5脳31.5cm Sheet: 58.0脳45.4cm
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    Mythological scene: perhaps Agamemnon's lust for Briséis by Pablo Picasso, 1968

    Mythological scene: perhaps Agamemnon's lust for Bris茅is ,1968

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    389 x 281 mm
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    Result:
    ODALISQUES AVEC DEUX HOMMES REVANT by Pablo Picasso, circa 1968

    ODALISQUES AVEC DEUX HOMMES REVANT ,circa 1968

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    12 1/4 x 16 1/4 inches
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    Odalisques avec deux hommes rêvant, Pl.7 from 'Séries 347' by Pablo Picasso, 1968

    Odalisques avec deux hommes r锚vant, Pl.7 from 'S茅ries 347' ,1968

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    Image: 41.2脳31.7cm Sheet 58.0脳45.3cm
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    Odalisque en Pantoufles, et Spectateur Ingresque, from Séries 347 (B. 1756; Ba. 1774 Bb1) by Pablo Picasso, 1968

    Odalisque en Pantoufles, et Spectateur Ingresque, from S茅ries 347 (B. 1756; Ba. 1774 Bb1) ,1968

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    197 x 325 mm. 316 x 453 mm
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    Result:
    Odalisque en Pantoufles, et Spectateur Ingresque, from Séries 347 by Pablo Picasso, 1968-1969

    Odalisque en Pantoufles, et Spectateur Ingresque, from S茅ries 347 ,1968-1969

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    195 x 320 mm
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    More Lots by Pablo Picasso in This Sale

    Femme Torero II, Plate 22 from La Suite Vollard (B. 220; Ba. 426)

    Femme Torero II, Plate 22 from La Suite Vollard (B. 220; Ba. 426)

    La danse des faunes (B. 830; M. 291)

    La danse des faunes (B. 830; M. 291)

    Buste de profil (Portrait de Jacqueline, de profil) (B. 845; M. 306)

    Buste de profil (Portrait de Jacqueline, de profil) (B. 845; M. 306)

    Télévision: Course de chars à l'antique. II, Plate 35 from Series 347 (B.; Ba. 1531)

    T茅l茅vision: Course de chars 脿 l'antique. II, Plate 35 from Series 347 (B.; Ba. 1531)

    Raphaël et la Fornarina. XIII: Dans son fauteuil, le Pape en tire la langue, Plate 308 from Series 347 (B.; Ba. 1805)

    Rapha毛l et la Fornarina. XIII: Dans son fauteuil, le Pape en tire la langue, Plate 308 from Series 347 (B.; Ba. 1805)

    L'Atelier (B. 80; Ba. 121)

    L'Atelier (B. 80; Ba. 121)

    Trois femmes passant le temps, avec spectateur sévère, Plate 67 from Series 347 (B.; Ba. 1563)

    Trois femmes passant le temps, avec spectateur s茅v猫re, Plate 67 from Series 347 (B.; Ba. 1563)

    Jacqueline, en Maja Nue, avec la célestine et deux "Mousquetaires", Plate 212 from Series 347 (B.; Ba. 1708)

    Jacqueline, en Maja Nue, avec la c茅lestine et deux "Mousquetaires", Plate 212 from Series 347 (B.; Ba. 1708)

    Jeune dame espagnole, Plate 247 from Series 347 (B.; Ba. 1744)

    Jeune dame espagnole, Plate 247 from Series 347 (B.; Ba. 1744)

    Les coulisses du tableau. Odalisque et peintre, Plate 3 from Series 156 (B.; Ba. 1863)

    Les coulisses du tableau. Odalisque et peintre, Plate 3 from Series 156 (B.; Ba. 1863)

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