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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Panorama near Bloemendael showing the Saxenburg Estate ('The Goldweigher's Field by Rembrandt van Rijn, 1651

    Panorama near Bloemendael showing the Saxenburg Estate ('The Goldweigher's Field ,1651

    etching and drypoint
    Sheet 120 x 321 mm.
    Estimate:
    Result:
    LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER by Rembrandt van Rijn, circa 1651

    LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER ,circa 1651

    Etching and drypoint
    123 by 320mm; 4戮 by 12 5/8 in
    Estimate:
    Result:
    Landscape with Trees, Farm buildings and a Tower (B., Holl. 223; H. 244) by Rembrandt van Rijn, circa 1651

    Landscape with Trees, Farm buildings and a Tower (B., Holl. 223; H. 244) ,circa 1651

    etching and drypoint
    P., S. 124 x 324 mm.
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    Available Works by Galleries

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    More Lots by Rembrandt van Rijn in This Sale

    A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS (B., HOLL. 176; NEW HOLL. 243; H. 233)

    A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS (B., HOLL. 176; NEW HOLL. 243; H. 233)

    MAN IN AN ARBOUR (B., HOLL. 257; NEW HOLL. 208; H. 194)

    MAN IN AN ARBOUR (B., HOLL. 257; NEW HOLL. 208; H. 194)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    THREE ORIENTAL FIGURES (JACOB AND LABAN?) (B., HOLL. 118; NEW HOLL. 190; H. 183)

    THREE ORIENTAL FIGURES (JACOB AND LABAN?) (B., HOLL. 118; NEW HOLL. 190; H. 183)

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81; NEW HOLL. 119; H. 103)

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81; NEW HOLL. 119; H. 103)

    CHRIST AND THE WOMAN OF SAMARIA AMONG RUINS (B., HOLL. 71; NEW HOLL. 127; H. 122)

    CHRIST AND THE WOMAN OF SAMARIA AMONG RUINS (B., HOLL. 71; NEW HOLL. 127; H. 122)

    CHRIST AT EMMAUS: THE SMALLER PLATE (B., HOLL. 88; NEW HOLL. 129; H. 121)

    CHRIST AT EMMAUS: THE SMALLER PLATE (B., HOLL. 88; NEW HOLL. 129; H. 121)

    THE ENTOMBMENT (B., HOLL. 86; NEW HOLL. 284; H. 281)

    THE ENTOMBMENT (B., HOLL. 86; NEW HOLL. 284; H. 281)

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147)

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147)

    3 WORKS: DAVID IN PRAYER; ST JEROME KNEELING IN PRAYER, LOOKING DOWN; AND THE STONING OF ST STEPHEN (B., HOLL. 41, 102, 97; NEW HOLL. 286, 142, 140; H. 258, 140, 125)

    3 WORKS: DAVID IN PRAYER; ST JEROME KNEELING IN PRAYER, LOOKING DOWN; AND THE STONING OF ST STEPHEN (B., HOLL. 41, 102, 97; NEW HOLL. 286, 142, 140; H. 258, 140, 125)

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