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22 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Amaryllis in Vase, from Moving Focus (T.G. 272, M.C.A.T. 266) by David Hockney, 1984, 1985

    Amaryllis in Vase, from Moving Focus (T.G. 272, M.C.A.T. 266) ,1984, 1985

    Lithograph in colours, on TGL handmade paper, with full margins.
    116.5 x 82.5 cm (45 7/8 x 32 1/2 in.)
    Estimate:
    Result:
    Conversation in the Studio, from Moving Focus (T.G. 271, M.C.A.T. 260) by David Hockney, 1984

    Conversation in the Studio, from Moving Focus (T.G. 271, M.C.A.T. 260) ,1984

    Lithograph in colours, on TGL handmade paper, with full margins.
    51 x 67 cm (20 1/8 x 26 3/8 in.)
    Estimate:
    Result:
    My Collection
    Conversation in the Studio, from Moving Focus Series by David Hockney, 1984

    Conversation in the Studio, from Moving Focus Series ,1984

    Lithograph in colours, on TGL handmade paper, with full margins
    framed 67.3 x 80.1 x 4 cm (26 1/2 x 31 1/2 x 1 5/8 in.)
    Estimate:
    Result:
    Views of Hotel Well III, from Moving Focus Series by David Hockney, 1984-1985

    Views of Hotel Well III, from Moving Focus Series ,1984-1985

    Lithograph in colours, on TGL handmade paper, with full margins.
    140.5 x 113.5 cm (55 3/8 x 44 5/8 in.)
    Estimate:
    Result:
    Amaryllis in Vase, from Moving Focus by David Hockney, 1985

    Amaryllis in Vase, from Moving Focus ,1985

    Lithograph in colors, on TGL handmade paper, with full margins
    I. 46 x 32 1/2 in. (116.8 x 82.6 cm) S. 50 x 36 in. (127 x 91.4 cm)
    Estimate:
    Result:
    Tyler Dining Room, from Moving Focus (T.G. 278, M.C.A.T. 261) by David Hockney, 1984, 1985

    Tyler Dining Room, from Moving Focus (T.G. 278, M.C.A.T. 261) ,1984, 1985

    Lithograph in colours, on TGL handmade paper, with full margins.
    73.7 x 95.9 cm (29 x 37 3/4 in.)
    Estimate:
    Result:
    Conversation in the Studio, from Moving Focus (T.G. 271, M.C.A.T. 260 by David Hockney, 1984

    Conversation in the Studio, from Moving Focus (T.G. 271, M.C.A.T. 260 ,1984

    Lithograph in colours, on TGL handmade paper, with full margins.
    framed 80 x 67.3 cm (31 1/2 x 26 1/2 in.)
    Estimate:
    Result:
    Portrait of Mother II, from Moving Focus Series (M.C.A.T. 282) by David Hockney, 1985

    Portrait of Mother II, from Moving Focus Series (M.C.A.T. 282) ,1985

    Lithograph in colours, on TGL handmade paper, with full margins.
    46.5 x 36.5 cm
    Estimate:
    Result:
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    A Bigger Book, Art Edition A

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    Lithographic Water Made of Lines and Crayon (T.G. 254, M.C.A.T. 211)

    Lithographic Water Made of Lines and Crayon (T.G. 254, M.C.A.T. 211)

    Untitled for Joel Wachs (G. 1584)

    Untitled for Joel Wachs (G. 1584)

    David Hockney: Some Very New Paintings (B. 198)

    David Hockney: Some Very New Paintings (B. 198)

    My Mother with Parrot (M.C.A.T. 148, S.A.C. 161)

    My Mother with Parrot (M.C.A.T. 148, S.A.C. 161)

    He Enquired after the Quality, plate 3 from Illustrations for 14 Poems by C.P. Cavafy (E. A. 460, S.A.C. 49, M.C.A.T. 49)

    He Enquired after the Quality, plate 3 from Illustrations for 14 Poems by C.P. Cavafy (E. A. 460, S.A.C. 49, M.C.A.T. 49)

    7th March 2021, More Flowers on a Table

    7th March 2021, More Flowers on a Table

    Untitled No. 21, from The Yosemite Suite

    Untitled No. 21, from The Yosemite Suite

    Celia (S.A.C. 109, M.C.A.T. 106)

    Celia (S.A.C. 109, M.C.A.T. 106)

    Celia Adjusting Her Eyelash (G. 837)

    Celia Adjusting Her Eyelash (G. 837)

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