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11 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Pool Of Narcissus by Victor Pasmore, 1974

    Pool Of Narcissus ,1974

    Etching with aquatint in colours
    320 x 565 mm (12 1/2 x 22 1/4 in)
    Estimate:
    Result:
    Pool of Narcissus by Victor Pasmore, Circa 1974

    Pool of Narcissus ,Circa 1974

    Etching with aquatint printed in color, laid paper
    12 5/8 x 22 1/4 in
    Estimate:
    Result:
    My Collection
    Pool of Narcissus by Victor Pasmore, circa 1974

    Pool of Narcissus ,circa 1974

    Etching with aquatint printed in colours, on wove
    12 3/16 x 21 5/8in
    Estimate:
    Result:
    Deep inside I look but of a soul I could find no sign! by Victor Pasmore, 1974

    Deep inside I look but of a soul I could find no sign! ,1974

    etching and aquatint in colours
    P. 365 x 380 mm
    Estimate:
    Result:
    Deep inside I look but of a soul I could find no sign! by Victor Pasmore, 1974

    Deep inside I look but of a soul I could find no sign! ,1974

    etching and aquatint in colours
    P. 365 x 380 mm.
    Estimate:
    Result:
    Punto di Contatto 1 by Victor Pasmore, 1976

    Punto di Contatto 1 ,1976

    Etching and aquatint in colors
    19 戮" x 28 录" sheet; 15 录" x 23 录" image, overall 27 陆" x 35 陆"
    Estimate:
    Result:
    Black Development by Victor Pasmore, 1975

    Black Development ,1975

    Etching and aquatint in colours
    1085 x 436mm
    Estimate:
    Result:
    The tear that falls by Victor Pasmore, 1974

    The tear that falls ,1974

    etching and aquatint in colours
    Sheet: 705 x 605 mm
    Estimate:
    Result:
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    Points of contact 17

    Untitled 8

    Untitled 8

    Points of Contact no.9

    Points of Contact no.9

    Points of Contact - Transformations (B&L 21(5))

    Points of Contact - Transformations (B&L 21(5))

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