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18 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Saint Jerome reading by Rembrandt van Rijn, 1634

    Saint Jerome reading ,1634

    etching
    109 x 90 mm. Sheet 112 x 92 mm.
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    Result:
    St. Jerome kneeling in prayer, 1635. by Rembrandt van Rijn, 1635

    St. Jerome kneeling in prayer, 1635. ,1635

    Etching
    11.6 x 8.2 cm.
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    Result:
    My Collection
    Saint Jerome Reading by Rembrandt van Rijn, 1634

    Saint Jerome Reading ,1634

    Etching
    109x89 mm 4 1/2x3 1/2 inches
    Estimate:
    Result:
    St Jerome Kneeling in Prayer, Looking down" by Rembrandt van Rijn, 1635

    St Jerome Kneeling in Prayer, Looking down" ,1635

    Etching
    11,7 x 8,2 cm.
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    Result:
    St. Jerome Kneeling in Prayer, Looking Down by Rembrandt van Rijn, 1635

    St. Jerome Kneeling in Prayer, Looking Down ,1635

    Etching
    115x80 mm; 4 1/2x3 1/8 inches.
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    Result:
    St. Jerome kneeling in Prayer, looking down (B., Holl. 102, H. 140) by Rembrandt van Rijn, 1635

    St. Jerome kneeling in Prayer, looking down (B., Holl. 102, H. 140) ,1635

    etching
    P. 114 x 80 mm., S. 117 x 82 mm
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    Result:
    St. Jerome kneeling in Prayer, looking down by Rembrandt van Rijn, 1635

    St. Jerome kneeling in Prayer, looking down ,1635

    etching
    S. 118 x 82 mm
    Estimate:
    Result:
    St Jerome kneeling in prayer looking down (Bartsch 102) by Rembrandt van Rijn, 1635

    St Jerome kneeling in prayer looking down (Bartsch 102) ,1635

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    114 x 80mm (4 1/2 x 3 1/5in)(PL)
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    More Lots by Rembrandt van Rijn in This Sale

    THE PERSIAN; THE ARTIST DRAWING FROM THE MODEL; AND THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 152, 192, 348; NEW HOLL. 110, 176, 86; H. 93, 231, 51)

    THE PERSIAN; THE ARTIST DRAWING FROM THE MODEL; AND THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 152, 192, 348; NEW HOLL. 110, 176, 86; H. 93, 231, 51)

    WOMAN AT A DOOR HATCH TALKING TO A MAN AND CHILDREN (THE SCHOOLMASTER) (B., HOLL. 128; NEW HOLL. 191; H. 192)

    WOMAN AT A DOOR HATCH TALKING TO A MAN AND CHILDREN (THE SCHOOLMASTER) (B., HOLL. 128; NEW HOLL. 191; H. 192)

    JEWS IN THE SYNAGOGUE; AND MAN DRAWING FROM A CAST (B., HOLL 126, 130; NEW HOLL. 242, 192; H. 234, 191)

    JEWS IN THE SYNAGOGUE; AND MAN DRAWING FROM A CAST (B., HOLL 126, 130; NEW HOLL. 242, 192; H. 234, 191)

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81; NEW HOLL. 119; H. 103)

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81; NEW HOLL. 119; H. 103)

    THE WINDMILL (B., HOLL. 233; NEW HOLL. 200; H. 179)

    THE WINDMILL (B., HOLL. 233; NEW HOLL. 200; H. 179)

    JAN UYTENBOGAERT, PREACHER OF THE REMONSTRANTS (B., HOLL. 279; NEW HOLL. 153; H. 128)

    JAN UYTENBOGAERT, PREACHER OF THE REMONSTRANTS (B., HOLL. 279; NEW HOLL. 153; H. 128)

    OLD MAN WITH A DIVIDED FUR CAP (B., HOLL. 265; NEW HOLL. 182; H. 170)

    OLD MAN WITH A DIVIDED FUR CAP (B., HOLL. 265; NEW HOLL. 182; H. 170)

    MEDEA: OR THE MARRIAGE OF JASON AND CREUSA (B., HOLL. 112; NEW HOLL. 241; H. 235)

    MEDEA: OR THE MARRIAGE OF JASON AND CREUSA (B., HOLL. 112; NEW HOLL. 241; H. 235)

    THE CIRCUMCISION IN THE STABLE; AND CHRIST AND THE WOMAN OF SAMARIA: AN ARCHED PRINT (B., HOLL. 47, 70; NEW HOLL. 280, 302; H. 274, 294)

    THE CIRCUMCISION IN THE STABLE; AND CHRIST AND THE WOMAN OF SAMARIA: AN ARCHED PRINT (B., HOLL. 47, 70; NEW HOLL. 280, 302; H. 274, 294)

    NUDE MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED (B., HOLL. 196; NEW HOLL. 234; H. 221)

    NUDE MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED (B., HOLL. 196; NEW HOLL. 234; H. 221)

    Recent Lots by Rembrandt van Rijn

    After Rembrandt van Rijn Head and shoulders self portrait Oil on panel - Rembrandt van Rijn

    After Rembrandt van Rijn Head and shoulders self portrait Oil on panel - Rembrandt van Rijn

    Bowler & Binnie;
    SF after Rembrandt Van Rijn Half bust portrait of Rembrandt Engraving Initials S.F and dated 1848 - Rembrandt van Rijn

    SF after Rembrandt Van Rijn Half bust portrait of Rembrandt Engraving Initials S.F and dated 1848 - Rembrandt van Rijn

    Bowler & Binnie;
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    Rembrandt van Rijn Prints & Graphic Art Performance

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