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    A folio from a Bhagavata Purana series: A prince visiting an ascetic by Indian School, 19th Century, early 19th century

    A folio from a Bhagavata Purana series: A prince visiting an ascetic ,early 19th century

    heightened with gold on paper
    37 x 31cm
    Estimate:
    Result:
    BIHARI by Indian School, 19th Century, second half 19th century

    BIHARI ,second half 19th century

    heightened with gold on paper
    34cm x 29cm
    Estimate:
    Result:
    Mewar, Rajasthan, North-Western India, 19th century by Indian School, 19th Century, 19th century

    Mewar, Rajasthan, North-Western India, 19th century ,19th century

    heightened with gold on paper
    framed, 36cm x 30.2cm
    Estimate:
    Result:
    A standing portrait of a courtier Mughal India, 19th century , opaque pigments heightened with gold on paper, facing right, on a terrace, dressed in light pink and white, wearing a white turban ornate with a plume, his right hand resting on a khanda, within borders with scrolling gold palmettes, in gold, gold speckled aubergine and black rules, laid on card, inscription in blue ink to the reverse together with two detached album folios, the wide borders with birds within large polychrome floral by Indian School, 19th Century, 19th century

    A standing portrait of a courtier Mughal India, 19th century , opaque pigments heightened with gold on paper, facing right, on a terrace, dressed in light pink and white, wearing a white turban ornate with a plume, his right hand resting on a khanda, within borders with scrolling gold palmettes, in gold, gold speckled aubergine and black rules, laid on card, inscription in blue ink to the reverse together with two detached album folios, the wide borders with birds within large polychrome floral ,19th century

    heightened with gold on paper
    40 x 32cm. 43.2 x 31cm.
    Estimate:
    Result:
    An illustration to a Ragamala series : Bilaval Ragini, Possibly Bundi, Rajasthan, North India, 19th century Opaque pigments heightened with gold on paper, a lady holding a mirror and reclining on a bolster, her attendant standing behind and holding a fly whisk, under a canopy, on a terrace, thin black and yellow margins, wide red borders, creased, corners scuffed or lacking, mounted 32 x 23 by Indian School, 19th Century, 19th century

    An illustration to a Ragamala series : Bilaval Ragini, Possibly Bundi, Rajasthan, North India, 19th century Opaque pigments heightened with gold on paper, a lady holding a mirror and reclining on a bolster, her attendant standing behind and holding a fly whisk, under a canopy, on a terrace, thin black and yellow margins, wide red borders, creased, corners scuffed or lacking, mounted 32 x 23 ,19th century

    heightened with gold on paper
    32 x 23.2cm., 36.1 x 28cm. mount
    Estimate:
    Result:
    the Maharaja of Kotah (r. 1771-1819) by Indian School, 19th Century, 19th century

    the Maharaja of Kotah (r. 1771-1819) ,19th century

    heightened with gold on paper
    26,2鈥墄鈥�34鈥塩尘
    Estimate:
    Result:
    A standing portrait of a ruler by Indian School, 19th Century, early 19th century

    A standing portrait of a ruler ,early 19th century

    heightened with gold on paper
    30.2 x 25.6cm
    Estimate:
    Result:
    A palace scene by Indian School, 19th Century, second quarter of the 19th century

    A palace scene ,second quarter of the 19th century

    heightened with gold on paper
    painting 22.6 x 33cm
    Estimate:
    Result:
    TWO STANDING PORTRAITS OF JODHPUR MAHARAJAS by Indian School, 19th Century, late 19th - 20th century

    TWO STANDING PORTRAITS OF JODHPUR MAHARAJAS ,late 19th - 20th century

    heightened with gold on paper
    33cm x 26.3cm
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Indian School, 19th Century in This Sale

    A portrait of a kneeling nobleman on a terrace, Lucknow, North India, circa 1800 Opaque pigments heightened with gold on paper, kneeling on a blue carpet with hexagonal pattern, white cushions at his side and to his right, books to the foreground, wearing a pale pink shawl with embroidered border, striped blue and white jama and a white chemise tied at the waist, a green turban and light facial fair denoting his youth, to the back ground a white pillar and architectural niche set into the wall b

    A portrait of a kneeling nobleman on a terrace, Lucknow, North India, circa 1800 Opaque pigments heightened with gold on paper, kneeling on a blue carpet with hexagonal pattern, white cushions at his side and to his right, books to the foreground, wearing a pale pink shawl with embroidered border, striped blue and white jama and a white chemise tied at the waist, a green turban and light facial fair denoting his youth, to the back ground a white pillar and architectural niche set into the wall b

    A calligraphic work, Kashmir, North India, late 19th century ink and opaque pigment on paper heightened with gold, giving the name "God" and another of his ninety-nine names, the letters filled with foliate motifs, in polychrome margins, wide borders with exuberant scrollwork and trefoils within lobed palmettes, the spandrels with rosettes within lobed medallions, within black and gold rules 38 x 42cm

    A calligraphic work, Kashmir, North India, late 19th century ink and opaque pigment on paper heightened with gold, giving the name "God" and another of his ninety-nine names, the letters filled with foliate motifs, in polychrome margins, wide borders with exuberant scrollwork and trefoils within lobed palmettes, the spandrels with rosettes within lobed medallions, within black and gold rules 38 x 42cm

    An erotic scene, Rajasthan, India, circa 1860 Opaque pigments on paper heightened with gold, the couple in an embrace on a throne strewn with cushions and a yellow carpet, the lady's attendant turning away in modesty, a garden of red poppies and a fountain to the foreground, a pavilion to the background, edges with losses, 26

    An erotic scene, Rajasthan, India, circa 1860 Opaque pigments on paper heightened with gold, the couple in an embrace on a throne strewn with cushions and a yellow carpet, the lady's attendant turning away in modesty, a garden of red poppies and a fountain to the foreground, a pavilion to the background, edges with losses, 26

    An illustrated folio from a large Shahnameh,  Kashmir, India, circa 1880 Opaque pigments heightened with gold on paper, depicting a ruler and his soldiers being ambushed by the king and his army, within a rocky landscape, with four vertical columns of Persian nastaliq text above and below writting in black on a gold ground, 48 x 28cm

    An illustrated folio from a large Shahnameh,聽 Kashmir, India, circa 1880 Opaque pigments heightened with gold on paper, depicting a ruler and his soldiers being ambushed by the king and his army, within a rocky landscape, with four vertical columns of Persian nastaliq text above and below writting in black on a gold ground, 48 x 28cm

    A lord at a puja , Rajasthan, North India, second half 19th century Opaque pigments on paper, under a dais, with three concubines, a brahmin making offering to a fire while another reads prayers, in yellow margins and wider red borders, black and white rules, mounted, framed and glazed 31 x 15cm visible

    A lord at a puja , Rajasthan, North India, second half 19th century Opaque pigments on paper, under a dais, with three concubines, a brahmin making offering to a fire while another reads prayers, in yellow margins and wider red borders, black and white rules, mounted, framed and glazed 31 x 15cm visible

    The worship of Sri Nathji Nathdwara, North India, circa 1860 The bare chested and bejewelled blue skinned deity standing in a shrine clad with a floral and latticed picchvai,  two priests worshipping, one holding a oil lamp, the other a morchal , the reverse with pencilled numerals to the lower right corner, mounted The painting 28

    The worship of Sri Nathji Nathdwara, North India, circa 1860 The bare chested and bejewelled blue skinned deity standing in a shrine clad with a floral and latticed picchvai,聽 two priests worshipping, one holding a oil lamp, the other a morchal , the reverse with pencilled numerals to the lower right corner, mounted The painting 28

    The interior of the palace at Madura, with the District Collector conducting business, Company School, Madura, South India, circa 1840 , pencil and watercolour on paper, inscribed to reverse Provenance : Private Collection J

    The interior of the palace at Madura, with the District Collector conducting business, Company School, Madura, South India, circa 1840 , pencil and watercolour on paper, inscribed to reverse Provenance : Private Collection J

    Vishnu reclining and Lakshmi on Sheshanaga, Pahari, second half 19th century, Opaque pigments heightened with gold on paper, floating on the waters of the primeval ocean, his consort holding his feet, lord Brahma emerging from a lotus rising from his navel, cowherds on the river bank, mounted  folio 18

    Vishnu reclining and Lakshmi on Sheshanaga, Pahari, second half 19th century, Opaque pigments heightened with gold on paper, floating on the waters of the primeval ocean, his consort holding his feet, lord Brahma emerging from a lotus rising from his navel, cowherds on the river bank, mounted聽 folio 18

    A patha of Pilgrimage to Mount Shatrunjaya India, Rajasthan, circa 1860 Opaque pigments on textile, a panoramic aerial view depicting various processions of men, women and monks making pilgrimage to many different Jain shrines, the Jinas arranged in niches within larger temples set in a hilly landscape with caves and trees, a stream at left filled with fish, the sun and moon visible over the horizon line at top, all surrounded by a border of female figures, 300 x 225cm approx (118 x 88

    A patha of Pilgrimage to Mount Shatrunjaya India, Rajasthan, circa 1860 Opaque pigments on textile, a panoramic aerial view depicting various processions of men, women and monks making pilgrimage to many different Jain shrines, the Jinas arranged in niches within larger temples set in a hilly landscape with caves and trees, a stream at left filled with fish, the sun and moon visible over the horizon line at top, all surrounded by a border of female figures, 300 x 225cm approx (118 x 88

    Sheep eaters, India, 19th century Black ink, opaque and transparent pigments on paper, within thin black margins and rules, mounted, framed and glazed 23 x 31cm

    Sheep eaters, India, 19th century Black ink, opaque and transparent pigments on paper, within thin black margins and rules, mounted, framed and glazed 23 x 31cm

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