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7 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    The Rest on the Flight: Lightly Etched by Rembrandt van Rijn, 1645

    The Rest on the Flight: Lightly Etched ,1645

    Etching and drypoint
    132x115 mm; 5 1/4x4 1/2 inches
    Estimate:
    Result:
    The Rest on the Flight by Rembrandt van Rijn, 1645

    The Rest on the Flight ,1645

    Etching and drypoint
    132x115 mm; 5 1/4x4 1/2 inches
    Estimate:
    Result:
    My Collection
    The Rest on the Flight into Egypt: lightly etched by Rembrandt van Rijn, 1645

    The Rest on the Flight into Egypt: lightly etched ,1645

    etching and drypoint
    Plate 131 x 116 mm. Sheet 134 x 119 mm.
    Estimate:
    Result:
    A Brook with a Grotto and a Boat ("Het Spelonkje") by Rembrandt van Rijn, 1645

    A Brook with a Grotto and a Boat ("Het Spelonkje") ,1645

    Etching and drypoint
    127x133 mm; 5x5 inches,
    Estimate:
    Result:
    The Hog by Rembrandt van Rijn, 1643

    The Hog ,1643

    Etching and drypoint
    141x171 mm; 5 x6 inches
    Estimate:
    Result:
    The Flute Player ('Het Uilespiegeltje') by Rembrandt van Rijn, 1642

    The Flute Player ('Het Uilespiegeltje') ,1642

    etching and drypoint
    116 x 143 mm. Sheet 124 x 151 mm.
    Estimate:
    Result:
    The Flute Player by Rembrandt van Rijn, 1642

    The Flute Player ,1642

    Etching and drypoint
    4 1/2 x 5 5/8 in.
    Estimate:
    Result:
    The Flute Player by Rembrandt van Rijn, 1642

    The Flute Player ,1642

    Etching and drypoint
    4 1/2 x 5 5/8 in
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    CHRIST AND THE WOMAN OF SAMARIA AMONG RUINS (B., HOLL. 71; NEW HOLL. 127; H. 122)

    CHRIST AND THE WOMAN OF SAMARIA AMONG RUINS (B., HOLL. 71; NEW HOLL. 127; H. 122)

    THE QUACKSALVER (B., HOLL. 129; NEW HOLL. 145; H. 139)

    THE QUACKSALVER (B., HOLL. 129; NEW HOLL. 145; H. 139)

    BEARDED MAN, IN A FURRED ORIENTAL CAP AND ROBE (B., HOLL. 263; NEW HOLL. 85; H. 53)

    BEARDED MAN, IN A FURRED ORIENTAL CAP AND ROBE (B., HOLL. 263; NEW HOLL. 85; H. 53)

    SELF-PORTRAIT IN A CAP AND SCARF WITH THE FACE DARK: BUST (B., HOLL. 17; NEW HOLL. 120; H. 108)

    SELF-PORTRAIT IN A CAP AND SCARF WITH THE FACE DARK: BUST (B., HOLL. 17; NEW HOLL. 120; H. 108)

    MAN IN AN ARBOUR (B., HOLL. 257; NEW HOLL. 208; H. 194)

    MAN IN AN ARBOUR (B., HOLL. 257; NEW HOLL. 208; H. 194)

    SELF-PORTRAIT IN A VELVET CAP WITH PLUME (B., HOLL. 20; NEW HOLL. 170; H. 156)

    SELF-PORTRAIT IN A VELVET CAP WITH PLUME (B., HOLL. 20; NEW HOLL. 170; H. 156)

    2 WORKS: CHRIST DISPUTING WITH THE DOCTORS: A SKETCH (B., HOLL. 65; NEW HOLL. 267; H. 257)

    2 WORKS: CHRIST DISPUTING WITH THE DOCTORS: A SKETCH (B., HOLL. 65; NEW HOLL. 267; H. 257)

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147)

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147)

    7 WORKS: THE PERSIAN (B., HOLL. 152; NEW HOLL. 110; H. 93)

    7 WORKS: THE PERSIAN (B., HOLL. 152; NEW HOLL. 110; H. 93)

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81; NEW HOLL. 119; H. 103)

    THE DESCENT FROM THE CROSS: SECOND PLATE (B., HOLL. 81; NEW HOLL. 119; H. 103)

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    Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1905) - Rembrandt van Rijn

    Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1905) - Rembrandt van Rijn

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