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136 Artworks
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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147) by Rembrandt van Rijn, 1606 - 1669

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147) ,1606 - 1669

    Etching
    Property from a Private Collection REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147) Etching, 1636, a good though slightly later impression of the first state (of three), the landscape printing faintly, on oriental paper, unframed plate: 157 by 135mm 6录 by 5鈪渋n sheet: 160 by 140mm 6鈪� by 5陆in
    Estimate:
    Result:
    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274) by Rembrandt van Rijn, 1654

    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274) ,1654

    Etching
    plate: 95 by 143mm 3 3/4 by 5 5/8 in
    Estimate:
    Result:
    My Collection
    THE VIRGIN AND CHILD WITH THE CAT AND THE SNAKE (B., HOLL. 63; NEW HOLL. 278; H. 275) by Rembrandt van Rijn, 1606 - 1669

    THE VIRGIN AND CHILD WITH THE CAT AND THE SNAKE (B., HOLL. 63; NEW HOLL. 278; H. 275) ,1606 - 1669

    Etching
    Property from the Collection of the late Dr. Gardemann REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 THE VIRGIN AND CHILD WITH THE CAT AND THE SNAKE (B., HOLL. 63; NEW HOLL. 278; H. 275) Etching, 1654, a good impression of New Hollstein's third state (of four), on paper with a partial unidentified watermark, framed plate: 93 by 143mm 3鈪� by 5鈪漣n sheet: 97 by 147mm 3鈪� by 5戮in
    Estimate:
    Result:
    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274) by Rembrandt van Rijn, 1654, circa 1654

    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274) ,1654, circa 1654

    Etching
    first sheet: 120 by 171mm 4 3/4 by 6 3/4 in second sheet: 108 by 131mm 4 1/4 by 5 1/8 in
    Estimate:
    Result:
    SELF-PORTRAIT, FROWNING: BUST (B., HOLL. 10; NEW HOLL. 68; H. 30) by Rembrandt van Rijn, 1606 - 1669

    SELF-PORTRAIT, FROWNING: BUST (B., HOLL. 10; NEW HOLL. 68; H. 30) ,1606 - 1669

    Etching
    REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 SELF-PORTRAIT, FROWNING: BUST (B., HOLL. 10; NEW HOLL. 68; H. 30) Etching, 1630, a very good impression of this scarce print, New Hollstein's third (final) state, with聽traces of the two horizontal lines above his head still visible,聽unframed plate: 73 by 59mm 2鈪� by 2鈪渋n sheet: 75 by 62mm 3 by 2陆in
    Estimate:
    Result:
    The Tribute Money by Rembrandt van Rijn, Circa 1635

    The Tribute Money ,Circa 1635

    Etching
    3 x 4 1/8 in.
    Estimate:
    Result:
    The Tribute Money- B., Holl. 68; H. 124 by Rembrandt van Rijn, circa 1635

    The Tribute Money- B., Holl. 68; H. 124 ,circa 1635

    Etching
    3 x 4 in
    Estimate:
    Result:
    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140) by Rembrandt van Rijn, 1606 - 1669

    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140) ,1606 - 1669

    Etching
    REMBRANDT HARMENSZ. VAN RIJN 1606 - 1669 ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140) Etching, 1635, a very good聽impression of New Hollstein's first state (of two), unframed plate: 116 by 81mm 4鈪� by 3戮in sheet: 132 by 95mm 5鈪� by 3戮in
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147)

    THE RETURN OF THE PRODIGAL SON (B., HOLL. 91; NEW HOLL. 159; H. 147)

    TURBANED SOLDIER ON HORSEBACK (B., HOLL. 139; NEW HOLL. 43; H. 99)

    TURBANED SOLDIER ON HORSEBACK (B., HOLL. 139; NEW HOLL. 43; H. 99)

    CHRIST PREACHING (鈥楲A PETITE TOMBE鈥�) (B., HOLL. 67; NEW HOLL. 298; H. 256)

    CHRIST PREACHING (鈥楲A PETITE TOMBE鈥�) (B., HOLL. 67; NEW HOLL. 298; H. 256)

    CLUMP OF TREES WITH A VISTA (B., HOLL. 222; NEW HOLL. 272; H. 263)

    CLUMP OF TREES WITH A VISTA (B., HOLL. 222; NEW HOLL. 272; H. 263)

    THE ADORATION OF THE SHEPHERDS: WITH THE LAMP (B., HOLL. 45; NEW HOLL. 279; H. 273)

    THE ADORATION OF THE SHEPHERDS: WITH THE LAMP (B., HOLL. 45; NEW HOLL. 279; H. 273)

    THE ARTIST DRAWING FROM THE MODEL ('HET BEELDT VAN PIGMALION') (B., HOLL. 192; NEW HOLL. 176; H. 231)

    THE ARTIST DRAWING FROM THE MODEL ('HET BEELDT VAN PIGMALION') (B., HOLL. 192; NEW HOLL. 176; H. 231)

    OLD MAN WITH BEARD, FUR CAP, AND VELVET CLOAK (B., HOLL. 262; NEW HOLL. 92; H. 92)

    OLD MAN WITH BEARD, FUR CAP, AND VELVET CLOAK (B., HOLL. 262; NEW HOLL. 92; H. 92)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    BEARDED OLD MAN IN A HIGH FUR CAP, WITH EYES CLOSED (B., HOLL. 290; NEW HOLL. 148; H. 130)

    BEGGAR MAN AND WOMAN BEHIND A BANK (B., HOLL. 165; NEW HOLL. 51; H. 13)

    BEGGAR MAN AND WOMAN BEHIND A BANK (B., HOLL. 165; NEW HOLL. 51; H. 13)

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    Rembrandt van Rijn Prints & Graphic Art Performance

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