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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    The Goldsmith (B., Holl. 123; New Holl. 289; H. 285) by Rembrandt van Rijn, 1655

    The Goldsmith (B., Holl. 123; New Holl. 289; H. 285) ,1655

    drypoint
    78 by 56mm
    Estimate:
    Result:
    The Goldsmith (B., Holl. 123; New Holl. 289; H. 285) by Rembrandt van Rijn, 1655

    The Goldsmith (B., Holl. 123; New Holl. 289; H. 285) ,1655

    Etching
    H. 285 plate: 76 by 56mm 3 by 2录in sheet: 82 by 61mm 3录聽by 2鈪渋n
    Estimate:
    Result:
    My Collection
    The Goldsmith (B., Holl. 123; H. 285) by Rembrandt van Rijn, 1655

    The Goldsmith (B., Holl. 123; H. 285) ,1655

    etching
    P. 78 x 55 mm., S. 90 x 67 mm
    Estimate:
    Result:
    The Goldsmith by Rembrandt van Rijn, 1655

    The Goldsmith ,1655

    Etching
    3 1/8 by 2录in
    Estimate:
    Result:
    THE GOLDSMITH by Rembrandt van Rijn, 1655

    THE GOLDSMITH ,1655

    Etching
    3 x 2 3/16 in
    Estimate:
    Result:
    The Goldsmith by Rembrandt van Rijn, 1655

    The Goldsmith ,1655

    etching
    3 1/8 x 2 1/8 inches.
    Estimate:
    Result:
    The Goldsmith (B., Holl. 123; H. 285) by Rembrandt van Rijn, 1655

    The Goldsmith (B., Holl. 123; H. 285) ,1655

    etching
    S. 77 x 57mm
    Estimate:
    Result:
    A Goldsmith by Rembrandt van Rijn, 1655

    A Goldsmith ,1655

    etching
    S. 78 x 58 mm
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

    More Lots by Rembrandt van Rijn in This Sale

    THE ANGEL APPEARING TO THE SHEPHERDS (BARTSCH, HOLLSTEIN 44; NEW HOLLSTEIN 125; HIND 120)

    THE ANGEL APPEARING TO THE SHEPHERDS (BARTSCH, HOLLSTEIN 44; NEW HOLLSTEIN 125; HIND 120)

    THE QUACKSALVER (B., HOLL. 129; NEW HOLL. 145; H. 139)

    THE QUACKSALVER (B., HOLL. 129; NEW HOLL. 145; H. 139)

    BEARDED MAN, IN A FURRED ORIENTAL CAP AND ROBE (B., HOLL. 263; NEW HOLL. 85; H. 53)

    BEARDED MAN, IN A FURRED ORIENTAL CAP AND ROBE (B., HOLL. 263; NEW HOLL. 85; H. 53)

    CHRIST AT EMMAUS: THE SMALLER PLATE (B., HOLL. 88; NEW HOLL. 129; H. 121)

    CHRIST AT EMMAUS: THE SMALLER PLATE (B., HOLL. 88; NEW HOLL. 129; H. 121)

    3 WORKS: DAVID IN PRAYER; ST JEROME KNEELING IN PRAYER, LOOKING DOWN; AND THE STONING OF ST STEPHEN (B., HOLL. 41, 102, 97; NEW HOLL. 286, 142, 140; H. 258, 140, 125)

    3 WORKS: DAVID IN PRAYER; ST JEROME KNEELING IN PRAYER, LOOKING DOWN; AND THE STONING OF ST STEPHEN (B., HOLL. 41, 102, 97; NEW HOLL. 286, 142, 140; H. 258, 140, 125)

    SELF-PORTRAIT IN A VELVET CAP WITH PLUME (B., HOLL. 20; NEW HOLL. 170; H. 156)

    SELF-PORTRAIT IN A VELVET CAP WITH PLUME (B., HOLL. 20; NEW HOLL. 170; H. 156)

    SELF-PORTRAIT ETCHING AT A WINDOW (B., HOLL. 22; NEW HOLL. 240; H. 229)

    SELF-PORTRAIT ETCHING AT A WINDOW (B., HOLL. 22; NEW HOLL. 240; H. 229)

    2 WORKS: CHRIST DISPUTING WITH THE DOCTORS: A SKETCH (B., HOLL. 65; NEW HOLL. 267; H. 257)

    2 WORKS: CHRIST DISPUTING WITH THE DOCTORS: A SKETCH (B., HOLL. 65; NEW HOLL. 267; H. 257)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    THE DESCENT FROM THE CROSS: A SKETCH (B., HOLL. 82; NEW HOLL. 204; H. 199)

    THE CRUCIFIXION: SMALL PLATE (B., HOLL. 80; NEW HOLL. 143; H. 123)

    THE CRUCIFIXION: SMALL PLATE (B., HOLL. 80; NEW HOLL. 143; H. 123)

    Recent Lots by Rembrandt van Rijn

    After Rembrandt van Rijn Head and shoulders self portrait Oil on panel - Rembrandt van Rijn

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    SF after Rembrandt Van Rijn Half bust portrait of Rembrandt Engraving Initials S.F and dated 1848 - Rembrandt van Rijn

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