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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    The raising of Lazarus: The larger plate by Rembrandt van Rijn, Circa 1632

    The raising of Lazarus: The larger plate ,Circa 1632

    Etching
    375mm x 255mm (14 3/4in x 10in)
    Estimate:
    Result:
    The Raising of Lazarus: The Larger Plate by Rembrandt van Rijn, Circa 1632

    The Raising of Lazarus: The Larger Plate ,Circa 1632

    Etching
    366mm x 255mm (14 1/4in x 10in)
    Estimate:
    Result:
    My Collection
    The great raising of Lazarus by Rembrandt van Rijn, Circa 1632

    The great raising of Lazarus ,Circa 1632

    Etching
    36.1 x 25 cm
    Estimate:
    Result:
    The raising of Lazarus by Rembrandt van Rijn, circa 1632

    The raising of Lazarus ,circa 1632

    Etching
    38.8 x 25.6 cm.
    Estimate:
    Result:
    The Raising of Lazarus: Large Plate (B. by Rembrandt van Rijn, 1632

    The Raising of Lazarus: Large Plate (B. ,1632

    Etching
    14 1/4 x 10in
    Estimate:
    Result:
    The Raising of Lazarus: Large Plate by Rembrandt van Rijn, 1632

    The Raising of Lazarus: Large Plate ,1632

    Etching
    37,5 x 26,5 cm
    Estimate:
    Result:
    The Raising of Lazarus: Large Plate by Rembrandt van Rijn, 1632

    The Raising of Lazarus: Large Plate ,1632

    Etching
    39,5 x 28,5 cm
    Estimate:
    Result:
    The Raising of Lazarus by Rembrandt van Rijn, circa 1632

    The Raising of Lazarus ,circa 1632

    etching
    14.25" x 10" in
    Estimate:
    Result:
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    More Lots by Rembrandt van Rijn in This Sale

    THE PERSIAN; THE ARTIST DRAWING FROM THE MODEL; AND THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 152, 192, 348; NEW HOLL. 110, 176, 86; H. 93, 231, 51)

    THE PERSIAN; THE ARTIST DRAWING FROM THE MODEL; AND THE ARTIST'S MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH (B., HOLL. 152, 192, 348; NEW HOLL. 110, 176, 86; H. 93, 231, 51)

    ST. JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    ST. JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

    JEWS IN THE SYNAGOGUE; AND MAN DRAWING FROM A CAST (B., HOLL 126, 130; NEW HOLL. 242, 192; H. 234, 191)

    JEWS IN THE SYNAGOGUE; AND MAN DRAWING FROM A CAST (B., HOLL 126, 130; NEW HOLL. 242, 192; H. 234, 191)

    CHRIST PREACHING ('LA PETITE TOMBE') (B., HOLL. 67; NEW HOLL. 298; H. 256)

    CHRIST PREACHING ('LA PETITE TOMBE') (B., HOLL. 67; NEW HOLL. 298; H. 256)

    NUDE MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED (B., HOLL. 196; NEW HOLL. 234; H. 221)

    NUDE MAN SEATED ON THE GROUND WITH ONE LEG EXTENDED (B., HOLL. 196; NEW HOLL. 234; H. 221)

    OLD MAN SEEN FROM BEHIND, PROFILE TO RIGHT: HALF-FIGURE; AND BEGGAR WOMAN LEANING ON A STICK (B., HOLL. 143, 170; NEW HOLL. 33A, 229; H. 41-C, 219)

    OLD MAN SEEN FROM BEHIND, PROFILE TO RIGHT: HALF-FIGURE; AND BEGGAR WOMAN LEANING ON A STICK (B., HOLL. 143, 170; NEW HOLL. 33A, 229; H. 41-C, 219)

    CORNELIS CLAESZ. ANSLO, PREACHER (B., HOLL. 271; NEW HOLL. 197; H. 187)

    CORNELIS CLAESZ. ANSLO, PREACHER (B., HOLL. 271; NEW HOLL. 197; H. 187)

    ABRAHAM AND ISAAC (B., HOLL. 34; NEW HOLL. 224; H. 214)

    ABRAHAM AND ISAAC (B., HOLL. 34; NEW HOLL. 224; H. 214)

    THE CIRCUMCISION IN THE STABLE; AND CHRIST AND THE WOMAN OF SAMARIA: AN ARCHED PRINT (B., HOLL. 47, 70; NEW HOLL. 280, 302; H. 274, 294)

    THE CIRCUMCISION IN THE STABLE; AND CHRIST AND THE WOMAN OF SAMARIA: AN ARCHED PRINT (B., HOLL. 47, 70; NEW HOLL. 280, 302; H. 274, 294)

    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274)

    THE CIRCUMCISION IN THE STABLE (B., HOLL. 47; NEW HOLL. 280; H. 274)

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