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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    Two Vases in the Louvre (S.A.C. 168) by David Hockney, 1974

    Two Vases in the Louvre (S.A.C. 168) ,1974

    Etching printed in colors
    745 by 740 mm 29 1/4 by 29 1/8 in
    Estimate:
    Result:
    Two Vases in the Louvre (S.A.C. 168) by David Hockney, 1974

    Two Vases in the Louvre (S.A.C. 168) ,1974

    etching in colors
    P. 29 3/8 x 29录 in. (746 x 743 mm.), S. 39 1/8 x 36 in. (994 x 914 mm.)
    Estimate:
    Result:
    My Collection
    Two vases in the Louvre (S.A.C. 168) by David Hockney, 1974

    Two vases in the Louvre (S.A.C. 168) ,1974

    etching in colors
    P. 29录 x 29 1/8 in. (744 x 740 mm.), S. 39录 x 36 1/8 in. (997 x 918 mm.)
    Estimate:
    Result:
    Two Vases in the Louvre by David Hockney, 1974

    Two Vases in the Louvre ,1974

    etching in colors
    29录 x 29录 in. (743 x 743 mm.)
    Estimate:
    Result:
    Two Vases in the Louvre (S.A.C. 168) by David Hockney, 1974

    Two Vases in the Louvre (S.A.C. 168) ,1974

    etching in colors
    P. 29录 x 29 1/8 in. (744 x 740 mm.), S. 39录 x 36 1/8 in. (997 x 918 mm.)
    Estimate:
    Result:
    Two Peppers by David Hockney, 1973

    Two Peppers ,1973

    Etching printed in colours
    250 x 390 mm (9 7/8 x 15 3/8 in)
    Estimate:
    Result:
    Two Vases in the Louvre by David Hockney, 1974

    Two Vases in the Louvre ,1974

    etching in colours
    Image: 744 x 740 mm., Sheet: 992 x 915 mm
    Estimate:
    Result:
    CONTREJOUR IN THE FRENCH STYLE (S.A.C. 167) by David Hockney, 1974

    CONTREJOUR IN THE FRENCH STYLE (S.A.C. 167) ,1974

    Etching printed in colours
    745 x 740mm 29 3/8 x 29 1/8 in
    Estimate:
    Result:
    VIEW ALL SIMILAR LOTS

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    CELIA IN A POLKA DOT SKIRT (GEMINI 917; NOT IN M. C. A. T.)

    CELIA IN A POLKA DOT SKIRT (GEMINI 917; NOT IN M. C. A. T.)

    AN IMAGE OF CELIA (M. C. A. T. 277)

    AN IMAGE OF CELIA (M. C. A. T.聽277)

    BLUE HANG CLIFF (M. C. A. T. 335; G.

    BLUE HANG CLIFF (M. C. A. T. 335; G.

    STILL LIFE (SCOTTISH ARTS COUNCIL 111; MUSEUM OF CONTEMPORARY ART TOKYO 108)

    STILL LIFE (SCOTTISH ARTS COUNCIL 111;聽MUSEUM OF CONTEMPORARY ART TOKYO聽108)

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    CELIA IN A WICKER CHAIR (M. C. A. T. 158)

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    CELIA OBSERVING (NOT IN MUSEUM OF CONTEMPORARY ART TOKYO)

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    STILL LIFE (S. A. C. 40; M. C. A. T. 40)

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    HOTEL ACATLAN: FIRST DAY (T. 279: DH66; M. C. A. T. 269)

    ABOVE AND BEYOND (M. C. A. T 339; GEMINI

    ABOVE AND BEYOND (M. C. A. T 339; GEMINI

    PEMBROKE STUDIO INTERIOR (TYLER 277; DAVID HOCKNEY 64; M. C. A. T. 262)

    PEMBROKE STUDIO INTERIOR (TYLER 277; DAVID HOCKNEY 64;聽M. C. A. T. 262)

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