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Tracks the performance of an artwork against its maximum and minimum estimate across time. For example a realized price above the maximum estimate indicates overperformance of the artwork

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    The complete set of ten: Soft Edge-Hard Edge (Danilowitz 165) by Josef Albers, 1965

    The complete set of ten: Soft Edge-Hard Edge (Danilowitz 165) ,1965

    Screenprints in colours
    Sheets 430 x 430mm. Folio 460 x 450mm
    Estimate:
    Result:
    Ten Variants (Danilowitz 173) by Josef Albers, 1967

    Ten Variants (Danilowitz 173) ,1967

    The set of ten screenprints in colors
    432 by 432 mm
    Estimate:
    Result:
    My Collection
    3 Works: Ten Variants: Three Plates by Josef Albers, 1967

    3 Works: Ten Variants: Three Plates ,1967

    Screenprints in colors
    17 x 17 in. (432 x 432 mm.)
    Estimate:
    Result:
    SP III (Danilowitz 175.3) by Josef Albers, 1967

    SP III (Danilowitz 175.3) ,1967

    Screenprint in colors
    498 by 498 mm 19 5/8 by 19 5/8 in
    Estimate:
    Result:
    10 Works: Variants by Josef Albers, 1966

    10 Works: Variants ,1966

    Screenprints in colors
    Each: 17.75 x 17.75 in.
    Estimate:
    Result:
    Ten Variants portfolio: complete set of ten by Josef Albers, 1966

    Ten Variants portfolio: complete set of ten ,1966

    screenprints in colors
    17 1/2 x 18 in. (44.5 x 45.7 cm)
    Estimate:
    Result:
    SP X by Josef Albers, 1967

    SP X ,1967

    Screenprint in colours
    23 7/8 x 23 5/8 in.
    Estimate:
    Result:
    Porta Negra (from the Soft Edge-Hard Edge portfolio by Josef Albers, 1965

    Porta Negra (from the Soft Edge-Hard Edge portfolio ,1965

    screenprint in colors
    image: 11 h 脳 11 w in sheet: 16鈪� h 脳 16鈪� w in 28 脳 28 cm 43 脳 43 cm
    Estimate:
    Result:
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    Homage to the Square

    Homage to the Square

    Homage to the Square

    Homage to the Square

    The complete set of ten: Soft Edge-Hard Edge (Danilowitz 165)

    The complete set of ten: Soft Edge-Hard Edge (Danilowitz 165)

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    Josef Albers Honors the Hirshhorn Museum and Sculpture Garden, 1973 (A pair - Josef Albers

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    Four Interaction of Color Production Tests - Josef Albers

    500 Gallery;
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